N70 .B55 1949
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Retreat from likeness in the theory of painting. |
1 |
N70 .B64
|
Retreat from likeness in the theory of painting. |
1 |
N70 .B73 2020
|
Art and the form of life / |
1 |
N70 .B77
|
Art and everyman; a basis for appreciation, forming a general introduction to the study of art of all types, ages and countries. |
1 |
N70 .B8
|
Art and counterfeit, |
1 |
N70 .B82
|
Art and understanding, |
1 |
N70 .B873 2009
|
Mediale Wunderkammern |
1 |
N70 .C36 2000eb
|
Capital culture : a reader on modernist legacies, state institutions, and the value(s) of art / |
1 |
N70 .C377 2021
|
Arthur Danto's Philosophy of Art |
1 |
N70 .C6
|
Outlines of a philosophy of art, |
1 |
N70 .C7 1958
|
The principles of art. |
1 |
N70 .C75 2014eb
|
Critical cartography of art and visuality in the global age / |
1 |
N70 .C885 2013eb
|
Phenomenologies of art and vision : a post-analytic turn / |
1 |
N70 .C887 2020eb
|
Theory of the art object / |
1 |
N70 .D33 2007eb
|
Philosophical perspectives on art / |
1 |
N70 .D82
|
The philosophy of art. |
1 |
N70 .D88
|
Le musée inimaginable. |
1 |
N70 .F512
|
On judging works of visual art, |
1 |
N70 .F755 2017
|
Real deceptions : the contemporary reinvention of realism / |
1 |
N70 .F76 2009eb
|
From logic to art : themes from Nelson Goodman / |
1 |