|
N7433.94
|
Technics improvised : activating touch in global media art / |
1 |
|
N7433.94 .A47 2014
|
Staging the archive : art and photography in the age of new media / |
1 |
|
N7433.94 .S93 2016eb
|
Animal, vegetable, digital : experiments in new media aesthetics and environmental poetics / |
1 |
|
N7433.96 .B87 1986
|
Contemporary screens / |
1 |
|
N7433.96 .J3 1977
|
Japanese screens from the Museum and Cleveland collections / |
1 |
|
N7433.96 .K65 1984
|
The folding image : screens by western artists of the nineteenth and twentieth centuries : Yale University Art Gallery, National Gallery of Art / |
1 |
|
N7433.96 .P56 1988
|
Biombos Namban = Namban screens / |
1 |
|
N7435 .A58
|
The critic and the visual arts : papers delivered at the 52nd Biennial Convention of the American Federation of Arts in Boston, April, 1965. |
1 |
|
N7435 .A68
|
Art criticism in the sixties : a symposium of the Poses Institute of Fine Arts, Brandeis University, Waltham, Massachusetts / |
1 |
|
N7435 .B5
|
Relation in art, being a suggested scheme of art criticism, with which is incorporated a sketch of a hypothetic philosophy of relation, |
1 |
|
N7435 .B54
|
Wingless Pegasus, a handbook for critics. |
1 |
|
N 7435 + C33
|
Keys to art. |
1 |
|
N7435 .C33
|
Keys to art / |
1 |
|
N7435 .E37
|
Art is for everyone. |
1 |
|
N7435 .F53
|
The interpretation of art; essays on the art criticism of John Ruskin, Walter Pater, Clive Bell, Robert Fry, and Herbert Read. |
1 |
|
N7435 .G2 1932
|
Understanding the arts, |
1 |
|
N7435 .H47
|
New bearings in esthetics and art criticism; a study in semantics and evaluation, |
1 |
|
N7435 .I8 1928
|
The limitations of verbal criticism of works of art. |
1 |
|
N 7435 + K38
|
Education of vision. |
1 |
|
N7435 .K4
|
Education of vision. |
1 |