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ND1140 .B59 1990
|
Painting as model / |
1 |
|
ND1140 .B76 1983
|
Vision and painting : the logic of the gaze / |
1 |
|
ND1140 .B78 2013
|
Inventing falsehood, making truth : Vico and Neapolitan painting / |
1 |
|
ND1140 .F7
|
Landscape, portrait, still-life; their origin and development. |
1 |
|
ND1140 .F91
|
Landscape, portrait, still-life; their origin and development. |
1 |
|
ND1140 .G343 2008eb
|
Aesthetics and painting / |
1 |
|
ND1140 .H613
|
Secrets of the great masters; a study in artistic techniques. |
1 |
|
ND1140 .L43 2019
|
Visual Reality An Analysis of the Visual Image in Painting. |
1 |
|
ND 1140 + L46 1971b
|
Painting at court. |
1 |
|
ND1140 .L46 1971b
|
Painting at court. |
1 |
|
ND1140 .L65
|
From the National Gallery Laboratory. |
1 |
|
ND1140 .M3413 1995
|
To destroy painting / |
1 |
|
ND1140 .M5 1983
|
On not being able to paint / |
1 |
|
ND1140 .N8
|
Conversations of James Northcote, R. A. with James Ward, on art and artists; |
1 |
|
ND1140 +P63 2011
|
Paragons and paragone : Van Eyck, Raphael, Michelangelo, Caravaggio, and Bernini / |
1 |
|
ND1140 .P88 1985
|
Roger de Piles' theory of art / |
1 |
|
ND1140 .R83 2022
|
Painting and presence : why paintings matter / |
1 |
|
ND1140 .R84 1951
|
The artist at work / |
1 |
|
ND1140 .W45 2004
|
The phenomenology of painting / |
1 |
|
ND1140 .W53
|
The scientific examination of pictures; an investigation of the pigments used by the Dutch and Flemish masters from the brothers Van Eyck to the middle of the 19th century, |
1 |