|
ND1140 .L46 1971b
|
Painting at court. |
1 |
|
ND1140 .L65
|
From the National Gallery Laboratory. |
1 |
|
ND1140 .M3413 1995
|
To destroy painting / |
1 |
|
ND1140 .M5 1983
|
On not being able to paint / |
1 |
|
ND1140 .N8
|
Conversations of James Northcote, R. A. with James Ward, on art and artists; |
1 |
|
ND1140 +P63 2011
|
Paragons and paragone : Van Eyck, Raphael, Michelangelo, Caravaggio, and Bernini / |
1 |
|
ND1140 .P88 1985
|
Roger de Piles' theory of art / |
1 |
|
ND1140 .R83 2022
|
Painting and presence : why paintings matter / |
1 |
|
ND1140 .R84 1951
|
The artist at work / |
1 |
|
ND1140 .W45 2004
|
The phenomenology of painting / |
1 |
|
ND1140 .W53
|
The scientific examination of pictures; an investigation of the pigments used by the Dutch and Flemish masters from the brothers Van Eyck to the middle of the 19th century, |
1 |
|
ND 1140 + W78 1987
|
Painting as an art / |
1 |
|
ND1140 .W78 1987b
|
Painting as an art / |
1 |
|
ND1141 .T3
|
The painters question and answer book [the how's and why's of the principal painting techniques] |
1 |
|
ND1142 .B5 1958
|
Art always changes; how to understand modern painting. |
1 |
|
ND1142 .C36 1958
|
Metropolitan Seminars in Art / |
1 |
|
ND1142 .L4
|
Painters and personality; a collector's view of modern art, |
1 |
|
ND1142 .L54 1983
|
Light / |
1 |
|
ND1142 .M3
|
Estimates in art, |
1 |
|
ND1142 .M6
|
The first book of paintings; an introduction to the appreciation of pictures / |
1 |