|
PN1994 .S776 2022
|
Why It's OK to Love Bad Movies |
1 |
|
PN1994 .S8174 2007eb
|
Framed time : toward a postfilmic cinema / |
1 |
|
PN1994 .S84
|
The world of film; an introduction to the cinema. |
1 |
|
PN1994 .T47 2007
|
The Terministic Screen : Rhetorical Perspectives on Film. |
1 |
|
PN1994 .T486 1992
|
They also wrote for the fan magazines : film articles by literary giants from E. E. Cummings to Eleanor Roosevelt, 1920-1939 / |
1 |
|
PN1994 .T63 2010eb
|
Sync : stylistics of hieroglyphic time / |
1 |
|
PN1994 .T717 1993
|
The early film criticism of François Truffaut / |
1 |
|
PN1994 .T7175 2013
|
On-demand culture : digital delivery and the future of movies / |
1 |
|
PN1994 .T855 2014e
|
Not to be missed : fifty-four favorites from a lifetime of film / |
1 |
|
PN1994 .T875 2007
|
Dirige de Cine Rubén Turienzo Vincula el Coaching y la Ficción Cinematográfica y Propone una Nueva Visión para Abordar la Mejora de Las Habilidades. |
1 |
|
PN1994 + T88
|
Classics of the foreign film, a pictorial treasury. |
1 |
|
PN1994 .T98
|
The three faces of the film; the art, the dream, the cult. |
1 |
|
PN1994 .V2
|
That marvel--the movie; a glance at its reckless past, its promising present, and its significant future, |
1 |
|
PN1994 .W43 2014eb
|
The cinema of urban crisis : seventies film and the reinvention of the city / |
1 |
|
PN1994 .W458 1994
|
Looks and frictions : essays in cultural studies and film theory / |
1 |
|
PN1994 .W463 1993
|
Deadline at dawn : film criticism, 1980-1990 / |
1 |
|
PN1994b.L577 2020
|
DIE ZEIT, DIE BLEIBT;AUDIOVISUELLE ARTIKULATIONEN DER AUSEINANDERSETZUNG MIT EINER INFAUSTEN PROGNOSE IM FIKTIONALEN FILM |
1 |
|
PN1994.9 .V36 1998
|
Film and television in-jokes : nearly 2,000 intentional references, parodies, allusions, personal touches, cameos, spoofs, and homages / |
1 |
|
PN1995
|
Language and cinema /
Altman and after : multiple narratives in film /
Preserving and exhibiting media art : challenges and perspectives /
What Is Cinema? : Volume I.
What Is Film Theory?
The altering eye : contemporary international cinema /
Hollywood's Detectives : Crime Series in the 1930s and 1940s from the Whodunnit to Hardboiled Noir.
Cinema and Intermediality : the Passion for the In-Between.
Making Meaning: Inference & Rhetoric in the Interpretation of Cinema
Keywords in Subversive Film /
Film and the Anarchist Imagination Expanded Second Edition.
Stardom : discussions on fame and celebrity culture /
Elegy for theory /
Visual Alterity Seeing Difference in Cinema.
Autism in film and television : on the Island /
Reframing the Subject : Postwar Instructional Film and Class-Conscious Literacies.
Screens.
Theorizing the moving image /
Invisible storytellers : voice-over narration in American fiction film /
The crisis of political modernism : criticism and ideology in contemporary film theory /
Truth and fiction : notes on (exceptional) faith in art /
Precarious Intimacies The Politics of Touch in Contemporary Western European Cinema.
Transformational ethics of film : thinking the cinemakeover in the film-philosophy debate /
Norma /
Small cinemas in global markets : genres, identities, narratives /
Neo-Baroques : from Latin America to the Hollywood Blockbuster /
Film as philosophy /
Slow cinema /
Writing, Directing, and Producing Documentary Films and Digital Videos.
The art of the filmmaker : the practical aesthetics of the screen /
Describing cinema /
Philosophy of film without theory /
Reboot culture : comics, film, transmedia /
Moving pictures : a new theory of film genres, feelings and cognition /
Engaging characters : fiction, emotion, and the cinema /
The empathic screen : cinema and neuroscience /
Psychocinematics : exploring cognition at the movies /
How toddlers learn the secret language of movies /
Atmosphere, architecture, cinema : thematic reflections on ambiance and place / |
39 |
|
PN1995 .A26
|
Esthétique du cinéma. |
1 |