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PR 3091 S7d
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The doubling of parts in Shakespeare's plays. |
1 |
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PR3091 .T44 1991
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Shakespeare's speaking properties / |
1 |
|
PR3091 .T53 2011
|
Passing strange : Shakespeare, race, and contemporary America / |
1 |
|
PR3091 .T53 2013
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Passing strange : Shakespeare, race, and contemporary America / |
1 |
|
PR3091 .T85 2005
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Shakespeare and Chekhov in production and reception : theatrical events and their audiences / |
1 |
|
PR3091 .T85 2005eb
|
Shakespeare and Chekhov in production and reception : theatrical events and their audiences / |
1 |
|
PR3091 .W27 1990
|
Staging Shakespeare's late plays / |
1 |
|
PR3091 .W3 1942
|
Shakespeare without tears, |
1 |
|
PR3091 .W3 1955
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Shakespeare without tears. |
1 |
|
PR3091 .W37 1990
|
Staging Shakespeare's late plays / |
1 |
|
PR3091 .W7
|
Shakespeare on the stage, |
1 |
|
PR3091 .W77 1997
|
Shakespeare and the authority of performance / |
1 |
|
PR3093
|
Shakespeare and the English-speaking cinema / |
1 |
|
PR3093 .B18
|
Shakespeare on silent film; a strange eventful history. |
1 |
|
PR3093 .B76 2000
|
Shakespeare in the movies : from the silent era to Shakespeare in love / |
1 |
|
PR3093 .B76 2000eb
|
Shakespeare in the movies : from the silent era to Shakespeare in love / |
1 |
|
PR3093 .B8 1991
|
Still in movement : Shakespeare on screen / |
1 |
|
PR3093 .B84 2002eb
|
Shakespeare in the cinema : ocular proof / |
1 |
|
PR3093 .B876 2012eb
|
Shakespeare and world cinema / |
1 |
|
PR3093 .C64 1989
|
Shakespeare, cinema, and society / |
1 |