| Call Number (LC) | Title | Results |
|---|---|---|
| ML3877 .C6 1983 | Music as heard : a study in applied phenomenology / | 1 |
| ML3877 .D37 2012 | The sense of sound : musical meaning in France, 1260-1330 / | 2 |
| ML3877 .D47 2022 | Push : software design and the cultural politics of music production / | 1 |
| ML3877 .G73 2005 | Serial music, serial aesthetics : compositional theory in post-war Europe / | 1 |
| ML3877 .H37 2020 | Making sense of recordings : how cognitive processing of recorded sound works / | 1 |
| ML3877 .K58 2005 | Intertextuality in western art music / | 1 |
| ML3877 .K76 2021 | The logic of filtering : how noise shapes the sound of recorded music / | 1 |
| ML3877 .L57 1994 | Humor as a concept in music : a theoretical study of expression in music, the concept of humor, and humor in music, with an analytical example, W.A. Mozart, Ein musikalischer Spass, KV 522 / | 1 |
| ML3877 .M37 2014 | On repeat : how music plays the mind / | 1 |
| ML3877 .M48 1988 | Neoclassicism in music : from the genesis of the concept through the Schoenberg/Stravinsky polemic / | 1 |
| ML3877 .M877 2018 | Music & camp / | 1 |
| ML3877 .O35 2005 | Repetition in music : theoretical and metatheoretical perspectives / | 1 |
| ML3877 .R45 2009 | Music and monumentality : commemoration and wonderment in nineteenth-century Germany / | 2 |
| ML3877 .R53 2004 | Musical listening in the German Enlightenment : attention, wonder and astonishment / | 1 |
| ML3877 .R68 2002 | Sudden music : improvisation, sound, nature / | 1 |
| ML3877 .R8713 1986 | The art of noises / | 1 |
| ML3877 .S77 2018eb | Broken beauty : musical modernism and the representation of disability / | 1 |
| ML3877 .T5 1994 | Theory, analysis, and meaning in music / | 1 |
| ML3880 |
Song acts : writings on words and music / Classical Listening : Two Decades of Reviews from The American Record Guide. On criticizing music : five philosophical perspectives / Insulting music : a lexicon of insult in music / |
4 |
| ML3880 .B49 2004eb | Beyond structural listening? : postmodern modes of hearing / | 1 |