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PS338.N4 B45 2006eb
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To be suddenly white : literary realism and racial passing / |
1 |
|
PS338.N4 B71
|
The Negro and the drama; the direct and indirect contribution which the American Negro has made to drama and the legitimate stage, with the underlying conditions responsible, |
1 |
|
PS338.N4 B76 1990
|
Their place on the stage : Black women playwrights in America / |
1 |
|
PS338.N4 C7
|
Black drama of the Federal theatre era : beyond the formal horizons / |
1 |
|
PS338.N4 H3
|
Black playwrights, 1823-1977 : an annotated bibliography of plays / |
1 |
|
PS338.N4 M68
|
Black drama; the story of the American Negro in the theatre. |
1 |
|
PS338.N4 O43 1995eb
|
Scars of conquest/masks of resistance : the invention of cultural identities in African, African-American, and Caribbean drama / |
1 |
|
PS338.N4 R36 2013eb
|
Aristotle and Black Drama : A Theater of Civil Disobedience / |
1 |
|
PS338.N4 W48 2003
|
Black Dionysus : Greek tragedy and African American theatre / |
1 |
|
PS338.N4 W55 1998
|
Contemporary African American female playwrights : an annotated bibliography / |
1 |
|
PS338.N4 W57 2001
|
The ground on which I stand / |
1 |
|
PS338.N4 W575 2011
|
Bulldaggers, pansies, and chocolate babies : performance, race, and sexuality in the Harlem Renaissance / |
1 |
|
PS338.P4 P44 2013
|
Peering Behind the Curtain : Disability, Illness, and the Extraordinary Body in Contemporary Theatre. |
1 |
|
PS338.P6
|
Congressional theatre : dramatizing McCarthyism on stage, film, and television /
Communists, Cowboys, and Queers : the Politics of Masculinity in the Work of Arthur Miller and Tennessee Williams. |
2 |
|
PS338.P6 G6
|
The political stage: American drama and theater of the great depression. |
1 |
|
PS338.P6 P8 1993
|
Public issues, private tensions : contemporary American drama / |
1 |
|
PS338.P6 S28 1992
|
Communists, cowboys, and queers : the politics of masculinity in the work of Arthur Miller and Tennessee Williams / |
1 |
|
PS338.P7 N1 1960
|
Politics in the American drama. |
1 |
|
PS338.R42F PS338.R42F58 1997
|
Mimetic Disillusion : Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism. |
1 |
|
PS338.S58 W48 2014
|
Staging the slums, slumming the stage : class, poverty, ethnicity, and sexuality in American theatre, 1890-1916 / |
1 |