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|a Hoppin, Richard H.
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|a Medieval music /
|c Richard H. Hoppin.
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| 250 |
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|a 1st ed.
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| 264 |
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1 |
|a New York :
|b W.W. Norton,
|c [1978]
|
| 264 |
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4 |
|c ©1978
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| 300 |
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|a xxiii, 566 pages :
|b illustrations ;
|c 24 cm
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| 336 |
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|a text
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|a volume
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| 490 |
1 |
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|a The Norton introduction to music history.
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| 504 |
|
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|a Includes bibliographical references (pages 531-551) and index.
|
| 505 |
0 |
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|a Historical introduction (to A.D. 1000) -- Christian liturgy to A.D. 1000 -- Gregorian chant: general characteristics -- The music of the offices -- The Roman mass -- Expansion of the liturgy in the later middle age: tropes and sequences -- Further expansion and embellishment of the liturgy -- The rise of polyphony -- The School of Notre Dame, I: organum -- The School of Notre Dame, II: conductus and motet -- Secular monophonic song, I: Latin and Provencal lyrics -- Secular monophonic song, II: the music of the Trouveres -- Secular monophonic song, III: diffusion of vernacular song in other countries of western Europe -- Sacred and secular polyphony in the thirteenth century -- The ars nova in France -- Liturgical polyphony in the fourteenth century -- Guillaume de Machaut -- The Italian ars nova -- Transition to the renaissance -- An English epilogue -- Appendices.
|
| 650 |
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|a Music
|y 500-1400
|x History and criticism.
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| 653 |
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|a Music
|a 500-1400
|a History and criticism
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| 655 |
|
7 |
|a Reference works.
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