Haydn's "Farewell" symphony and the idea of classical style : through-composition and cyclic integration in his instrumental music

Haydn's "Farewell" symphony and the idea of classical style : through-composition and cyclic integration in his instrumental music / James Webster.

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Bibliographic Details
Main Author:	Webster, James, 1942-
Format:	Book
Language:	English
Published:	Cambridge [England] ; New York : Cambridge University Press, 1991.
Series:	Cambridge studies in music theory and analysis ; 1.
Subjects:	Haydn, Joseph, > 1732-1809. > Symphonies, > H. I, 45, > F♯ minor. Haydn, Joseph, > 1732-1809. > Instrumental music. Haydn, Joseph, > 1732-1809 > Criticism and interpretation. Haydn, Joseph, > 1732-1809. > Symphonies, > H.I, > 45, > F# minor. Instrumental music (Haydn, Joseph) Symphonies (Haydn, Joseph) 1700 - 1799 Symphony > 18th century. Instrumental music > 18th century > History and criticism. Classicism in music. Cyclic form (Music) Instrumental music. Symphony. Music Austria Criticism, interpretation, etc.
Online Access:	ACLS Humanities E-Book Table of contents Table of contents French equivalent / Équivalent français Publisher description Electronic access restricted; authentication may be required:

Table of Contents:

Foreword / by Ian Bent
Preface
Author's note
Part I. The Farewell Symphony. 1. The construction of the whole ; 2. Instability ; 3. Resolution ; 4. The program
Part II. Cyclic organization in Haydn's instrumental music. 5. Progressive form and the rhetoric of instability ; 6. Integration of the cycle ; 7. Extramusical associations ; 8. Individual compositions
Historiographical conclusion : Haydn's maturity and "Classical style".