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|a 782.1092
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|a 89020435
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|a Heartz, Daniel.
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|a Mozart's operas /
|c Daniel Heartz ; edited, with contributing essays, by Thomas Bauman.
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264 |
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1 |
|a Berkeley :
|b University of California Press,
|c [1990]
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264 |
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4 |
|c ©1990
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300 |
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|a xvi, 363 pages :
|b illustrations ;
|c 24 cm
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336 |
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|a text
|b txt
|2 rdacontent
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|a unmediated
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|a volume
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490 |
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|a Centennial Books
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500 |
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|a "A Centennial book"--Page [v].
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|a Includes bibliographical references (pages 342-351) and indexes.
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|a Sacrifice dramas -- The genesis of Idomeneo -- Mozart's tragic muse -- Coming of age in Vienna : Die Entfuhrung aus dem Serail -- The poet as stage director : Metastasio, Goldoni, and Da Ponte -- From Beaumarchais to Da Ponte : the metamorphosis of Figaro -- Setting the stage for Figaro -- Constructing Le nozze di Figaro -- Don Giovanni : conception and creation -- An iconography of the dances in the ballroom scene of Don Giovanni -- Goldoni, Don Giovanni, and the Dramma Giocoso -- Donna Elvira and the great sextet -- Three schools for lovers, or "Cosi fan tutte le belle" -- Citation, reference, and recall in Cosi fan tutte -- La Clemenza di Sarastro : masonic beneficence in the last operas -- At the north gate : instrumental music in Die Zauberflote -- Mozart and his Italian contemporaries -- The overture to La clemeza di Tito as dramatic argument.
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|a Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft.
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|a Mozart, Wolfgang Amadeus,
|d 1756-1791.
|t Operas.
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|a Opera.
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|a Bauman, Thomas,
|d 1948-
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|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Music
|d Music Library
|e ML410.M9 H2 1990
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