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920413s1992 ctua b 001 0 eng |
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|a 0819552380
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|a 0819562572 (pbk.)
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|a DLC
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|a ML3534 .E55 1992
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| 100 |
1 |
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|a Ennis, Philip H.
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| 245 |
1 |
4 |
|a The seventh stream :
|b the emergence of rocknroll in American popular music /
|c Philip H. Ennis.
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| 260 |
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|a [Middletown, Conn.] :
|b Wesleyan University Press ;
|a Hanover, NH :
|b University Press of New England,
|c c1992.
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| 300 |
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|a xii, 445 p. :
|b ill. ;
|c 24 cm.
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| 504 |
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|a Includes bibliographical references (p. [423]-427) and index.
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| 505 |
0 |
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|a pt. 1. Six Streams Assemble: 1900-1940. 1. The Organization of Popular Musics. 2. The Basic Struggle: Publisher against Broadcaster. 3. Gospel, Jazz, Folk: Their Paths in Development. 4. The Pop Stream Leads It All to 1940 and the War -- pt. 2. Rocknroll Emerges: 1945-1965. 5. Redesigning the Machine: The Disk Jockey Takes Over. 6. The Streams Aligned. 7. The Early Crossovers. 8. The King and His Court -- pt. 3. Rock Matures: 1965-1970. 9. The Industry Refuses, Then Accommodates. 10. The Youth Movements. 11. Rock. 12. The Pause Point -- Continuum.
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| 650 |
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0 |
|a Rock music
|z United States
|x History and criticism.
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| 650 |
|
0 |
|a Popular music
|z United States
|x History and criticism.
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| 907 |
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|a .b13412188
|b 01-26-21
|c 10-04-03
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|a College of the Holy Cross
|b Main Campus
|c Music
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|i Book
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