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|a Lipovet︠s︡kiĭ, M. N.
|q (Mark Naumovich)
|
| 245 |
1 |
0 |
|a Russian postmodernist fiction :
|b dialogue with chaos /
|c Mark Lipovetsky ; edited by Eliot Borenstein.
|
| 260 |
|
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|a Armonk, NY :
|b M.E. Sharpe,
|c ©1999.
|
| 300 |
|
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|a xviii, 331 pages ;
|c 24 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 261-271) and index.
|
| 505 |
0 |
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|a Editor's Introduction: Postmodernism, Duty-Free / Eliot Borenstein -- 1. Chaos as a System. The Russian Oxymoron. Postmodernism Plus/Minus Modernism? Intertextual Play. Subverted Dialogism. Dialogue with Chaos as a New Artistic Strategy -- 2. Sacking the Museum: Andrei Bitov's Pushkin House -- 3. From an Otherwordly Point of View: Venedikt Erofeev's Moscow to the End of the Line -- 4. The Myth of Metamorphosis: Sasha Sokolov's A School for Fools -- 5. Active Nonbeing -- 6. Context: Soviet Utopia. Vasily Aksyonov: Utopia as a Fantasy. Yuz Aleshkovsky: Bodies versus Ideas -- 7. Context: Mythologies of Creation. Tatyana Tolstaya: In the Broken Mirror. Sasha Sokolov (1980): Chaos Speaks. Lev Rubinshtein: Creation of the Kaleidoscopic Self -- 8. Context: Mythologies of History. Vyacheslav Pietsukh: "The Enigma of the Russian Soul" Revisited. The "Historical" Stories of Viktor Erofeyev: An Apotheosis of Particles. Sasha Sokolov (1985): Self-Portrait on a Timeless Background.
|
| 650 |
|
0 |
|a Russian fiction
|y 20th century
|x History and criticism.
|
| 650 |
|
0 |
|a Postmodernism (Literature)
|z Soviet Union.
|
| 650 |
|
0 |
|a Postmodernism (Literature)
|z Russia (Federation)
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 700 |
1 |
|
|a Borenstein, Eliot,
|d 1966-
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| 907 |
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|a .b13872175
|b 05-13-20
|c 10-04-03
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|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library
|e PG3098.4 .L475 1999
|h Library of Congress classification
|i Book
|m 38400002662094
|n 1
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