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|a 18.33
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1 |
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|a Shaw, Donald Leslie,
|d 1930-
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| 245 |
1 |
4 |
|a The post-boom in Spanish American fiction /
|c Donald L. Shaw.
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| 264 |
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1 |
|a Albany :
|b State University of New York Press,
|c [1998]
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| 264 |
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4 |
|c ©1998
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| 300 |
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|a v, 217 pages ;
|c 24 cm.
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|a unmediated
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|2 rdamedia
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|b nc
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| 490 |
1 |
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|a SUNY series in Latin American and Iberian thought and culture
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| 504 |
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|a Includes bibliographical references (pages 199-209) and index.
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| 505 |
0 |
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|a The post-boom -- The transition -- Isabel Allende -- Antonio Skármeta -- Luisa Valenzuela -- Rosario Ferré -- Gustavo Sainz -- Conclusion: post-boom and postmodernism.
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| 520 |
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|a What happened in Spanish American fiction after the Boom? Can we define the Post-Boom? What are its characteristics? How does it relate to the Boom itself? Is Post-Boom the same as Postmodernism or something quite different? Shaw traces the emergence of a different kind of writing that began to displace the Boom in the mid-1970s and has flourished ever since. More reader-friendly, more concerned with the here and now of Latin America, the writers of the Post-Boom have explored new areas of Spanish American life and incorporated characters from new social groups, especially young working-class and lower middle-class figures with their distinctive "pop" culture and freewheeling life-style.
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| 520 |
8 |
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|a Shaw suggests that, while some Boom writers have moved toward the Post-Boom, Post-Boom narrative is distinctively different from that of the older movement and cannot be readily assimilated into Postmodernism.
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| 650 |
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0 |
|a Spanish American fiction
|y 20th century
|x History and criticism.
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| 655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 830 |
|
0 |
|a SUNY series in Latin American and Iberian thought and culture.
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