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|a 18.46
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1 |
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|a Wheeler, Stephen Michael,
|d 1962-
|
| 245 |
1 |
2 |
|a A discourse of wonders :
|b audience and performance in Ovid's Metamorphoses /
|c Stephen M. Wheeler.
|
| 260 |
|
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|a Philadelphia :
|b University of Pennsylvania Press,
|c ©1999.
|
| 300 |
|
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|a 272 pages ;
|c 23 cm
|
| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
|
| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 241-258) and indexes.
|
| 505 |
0 |
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|a Chapter 1: Metamorphosis in the reader -- Chapter 2: The fiction of viva-voce performance -- Chapter 3: The divided audience -- Chapter 4: Assembling an audience -- Chapter 5: Discourse and time -- Chapter 6: Directions to the audience -- Chapter 7: The danger of disbelief -- Chapter 8: Translating past into present.
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| 520 |
|
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|a In A Discourse of Wonders, Stephen M. Wheeler introduces a fresh perspective for readers of Ovid's Metamorphoses. Drawing on classical scholarship and twentieth-century literary theory, he argues that the poem is not an anthology or collection but a single continuous performance. Wheeler's thorough, detailed analysis of how Ovid constructs, cultivates, and transforms his audience challenges the assumption that Ovid's narrative persona addresses the reader. Wheeler proposes instead that Ovid represents himself in the poem as an epic storyteller moved to tell a universal history of metamorphosis in the presence of a fictional audience.
|
| 600 |
0 |
0 |
|a Ovid,
|d 43 B.C.-17 A.D. or 18 A.D.
|t Metamorphoses.
|
| 650 |
|
0 |
|a Fables, Latin
|x History and criticism.
|
| 650 |
|
0 |
|a Mythology, Classical, in literature.
|
| 650 |
|
0 |
|a Performing arts
|x Audiences
|z Rome.
|
| 650 |
|
0 |
|a Metamorphosis in literature.
|
| 650 |
|
0 |
|a Reader-response criticism.
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 907 |
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|a .b13939373
|b 04-22-20
|c 10-04-03
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