Women and romance fiction in the English Renaissance / Helen Hackett.

"This book offers an original study of lyric form and social custom in the Elizabethan age. Ilona Bell explores the tendency of Elizabethan love poems not only to represent an amorous thought, but to conduct the courtship itself. Where recent studies have focused on courtship, patronage and pre...

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Bibliographic Details
Main Author: Hackett, Helen
Format: Book
Language:English
Published: Cambridge, U.K. ; New York : Cambridge University Press, 2000.
Subjects:
Online Access:Sample text
Table of contents
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245 1 0 |a Women and romance fiction in the English Renaissance /  |c Helen Hackett. 
260 |a Cambridge, U.K. ;  |a New York :  |b Cambridge University Press,  |c 2000. 
300 |a viii, 235 pages ;  |c 23 cm 
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504 |a Includes bibliographical references (pages 216-229) and index. 
505 0 |a The readership of Renaissance romance -- Renaissance romance and modern romance -- Novellas of the 1560s and 1570s -- Spanish and Portuguese romances -- Fictions addressed to women by Lyly, Rich and Greene -- The Arcadia : readership and authorship -- The Arcadia : heroines -- The Faerie Queene -- Shakespeare's romance sources -- Lady Mary Wroth's Urania -- Epilogue, the later seventeenth century. 
520 1 |a "This book offers an original study of lyric form and social custom in the Elizabethan age. Ilona Bell explores the tendency of Elizabethan love poems not only to represent an amorous thought, but to conduct the courtship itself. Where recent studies have focused on courtship, patronage and preferment at court, her focus is on love poetry, amorous courtship, and relations between Elizabethan men and women. The book examines the ways in which the tropes and rhetoric of love poetry were used to court Elizabethan women (not only at court and in the great houses, but in society at large) and how the women responded to being wooed, in prose, poetry and speech. Bringing together canonical male poets and recently discovered women writers, Ilona Bell investigates a range of texts addressed to, written by, read, heard or transformed by Elizabethan women, and charts the beginnings of a female lyric tradition."--Jacket. 
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