|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
b1413668 |
003 |
MWH |
005 |
20210303031332.0 |
008 |
000829s2001 nyu b 001 0 eng |
010 |
|
|
|a 00046218
|
019 |
|
|
|a 1008542241
|a 1022681314
|
020 |
|
|
|a 0815628889
|q (alk. paper)
|
020 |
|
|
|a 9780815628880
|q (alk. paper)
|
020 |
|
|
|a 0815628897
|q (pbk. ;
|q alk. paper)
|
020 |
|
|
|a 9780815628897
|q (pbk. ;
|q alk. paper)
|
035 |
|
|
|a (OCoLC)44979654
|
035 |
|
|
|a (OCoLC)44979654
|z (OCoLC)1008542241
|z (OCoLC)1022681314
|
040 |
|
|
|a DLC
|b eng
|c DLC
|d BAKER
|d YDXCP
|d BTCTA
|d HEBIS
|d VA@
|d MNY
|d BDX
|d OCLCA
|d OCLCF
|d OCLCQ
|d GTA
|d OCLCQ
|d OCL
|d OCLCQ
|d OCLCA
|d UKUOY
|d OCLCQ
|d IL4J6
|d OCLCO
|
041 |
|
|
|a eng
|
043 |
|
|
|a e-ie---
|
049 |
|
|
|a HCDD
|
050 |
0 |
0 |
|a PN2601
|b .T76 2001
|
100 |
1 |
|
|a Trotter, Mary.
|
245 |
1 |
0 |
|a Ireland's national theaters :
|b political performance and the origins of the Irish dramatic movement /
|c Mary Trotter.
|
250 |
|
|
|a 1st ed.
|
260 |
|
|
|a Syracuse, NY :
|b Syracuse University Press,
|c 2001.
|
300 |
|
|
|a xxii, 207 pages ;
|c 24 cm.
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
490 |
1 |
|
|a Irish studies
|
504 |
|
|
|a Includes bibliographical references (pages 183-195) and index.
|
505 |
0 |
|
|a Introduction: National formations, theatrical formations -- 1. "Ancient idealism" on a modern stage: the Irish Literary Theatre -- 2. Popular drama's response to stage Irish stereotypes: the Queen's Royal Theatre -- 3. Women's work and the Irish nationalist actress: Inghinidhe na hEireann -- 4. Nationalist performance becomes profession: the Abbey Theatre -- 5. Boys of St. Enda's: the rhetoric of redemption in Padraic Pearse's social and aesthetic theaters -- Appendix. A timeline of political and theatrical events in Ireland.
|
520 |
|
|
|a In the annals of Irish studies and theater history much has been written about the Abbey Theatre. This book sheds new light on that company's history, but also examines other groups with a range of political, religious, gender, and class perspectives that consciously used performance to promote ideas about nationalism and culture in Ireland at the turn of the last century. This interdisciplinary work details how different nationalist organizations with diverse political and artistic goals employed theater as an anticolonial tool. This is a compelling analysis of these and other groups' prominent role in Irish nationalism in the years before Easter 1916, and the way these political theaters gave birth to modern Irish drama. -- Publishers description.
|
650 |
|
0 |
|a Theater
|x Political aspects
|z Ireland
|x History
|y 20th century.
|
650 |
|
0 |
|a Theater
|x Political aspects
|z Ireland
|x History
|y 19th century.
|
650 |
|
0 |
|a Irish drama
|y 20th century
|x History and criticism.
|
650 |
|
0 |
|a Irish drama
|y 19th century
|x History and criticism.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
830 |
|
0 |
|a Irish studies (Syracuse, N.Y.)
|
907 |
|
|
|a .b14136685
|b 03-03-21
|c 10-04-03
|
998 |
|
|
|a hd
|b 03-03-21
|c m
|d a
|e -
|f eng
|g nyu
|h 0
|i 1
|
995 |
|
|
|a MARION AEQ-8299
|
994 |
|
|
|a C0
|b HCD
|
945 |
|
|
|f - -
|g 1
|h 0
|i 38400002985446
|j - -
|k - -
|l hddin
|o -
|p $0.00
|q -
|r -
|s -
|t 0
|u 2
|v 0
|w 0
|x 0
|y .i14971331
|z 10-04-03
|
999 |
f |
f |
|i 236917f4-1d89-57f3-b5a6-a1fbeddd0a25
|s 3a86cb7d-8566-58e5-af45-96e69dfcc27e
|
952 |
f |
f |
|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library
|e PN2601 .T76 2001
|h Library of Congress classification
|i Book
|m 38400002985446
|n 1
|