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|a ML3795 .C34 2003
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|a Carroll, Mark,
|d 1955-
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|a Music and ideology in Cold War Europe /
|c Mark Carroll.
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260 |
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|a Cambridge ;
|a New York :
|b Cambridge University Press,
|c 2003.
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|a 0302
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300 |
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|a 245 p. :
|b ill., facsims. ;
|c 26 cm.
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440 |
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|a Music in the twentieth century ;
|v 18
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504 |
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|a Includes bibliographical references (p. [218]-236) and index.
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|a Introduction: issues and perspectives -- Back to the future: Nabokov's selection criteria for Oeuvre du XXe siècle -- Nabokov, Shostakovich, and the View from the Bridge -- Articles of war: the Prague Manifesto and the Progressistes -- Creative freedom or political obligation? Serialism and Stalinism in France -- Culture and confrontation at the The'atre des Champs-Elyse'es -- Neither you nor they: the avant-garde and neutralite -- Music and Sartrean commitment -- Rene Leibowitz and the musician's conscience -- A forlorn hope: Sartre's 'virtual' audience -- Serialism, scientism, and the post-war world view -- Epilogue: The aftermath of L'Ouvre du XXe siècle.
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|a Music
|x Social aspects.
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650 |
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|a Cold War.
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651 |
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|a Europe
|x History
|y 20th century.
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|3 Publisher description
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|3 Table of contents
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|a College of the Holy Cross
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