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|a ML1263
|b .C36 2005
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|a The Cambridge companion to the concerto /
|c edited by Simon P. Keefe.
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| 260 |
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 2005.
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| 300 |
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|a xxv, 309 p. :
|b ill., music ;
|c 25 cm.
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| 440 |
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0 |
|a Cambridge companions to music
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| 504 |
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|a Includes bibliographical references (p. 288-296) and index.
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| 505 |
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|g Introduction /
|r Simon P. Keefe --
|g PART I. CONTEXTS --
|t Theories of the concerto from the eighteenth century to the present day /
|r Simon P. Keefe --
|t The concerto and society /
|r Tia DeNora --
|g PART II. THE WORKS --
|t The Italian concerto in the late seventeenth and early eighteenth centuries /
|r Michael Talbot --
|t The concerto in northern Europe to c.1770 /
|r David Yearsley --
|t The concerto from Mozart to Beethoven : aesthetic and stylistic perspectives /
|r Simon P. Keefe --
|t The nineteenth-century piano concerto /
|r Stephan D. Lindeman --
|t Nineteenth-century concertos for strings and winds /
|r R. Larry Todd --
|t Contrasts and common concerns in the concerto 1900-1945 /
|r David E. Schneider --
|t The concerto since 1945 /
|r Arnold Whittall --
|g PART III. PERFORMANCE --
|t The rise (and fall) of the concerto virtuoso in the late eighteenth and nineteenth centuries /
|r Cliff Eisen --
|t Performance practice in the eighteenth-century concerto /
|r Robin Stowell --
|t Performance practice in the nineteenth-century concerto /
|r David Rowland --
|t The concerto in the age of recording /
|r Timothy Day.
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| 650 |
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|a Concerto.
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| 700 |
1 |
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|a Keefe, Simon P.,
|d 1968-
|
| 856 |
4 |
2 |
|3 Publisher description
|u http://catdir.loc.gov/catdir/enhancements/fy0632/2006295568-d.html
|
| 856 |
4 |
1 |
|3 Table of contents
|u http://catdir.loc.gov/catdir/enhancements/fy0632/2006295568-t.html
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|p Can Circulate
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|c Music
|d Music Library
|e ML1263 .C36 2005
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