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|a 0300109326 (cloth : alk. paper)
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|a MT892
|b .E45 2006
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| 100 |
1 |
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|a Elliott, Martha.
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| 245 |
1 |
0 |
|a Singing in style :
|b a guide to vocal performance practices /
|c Martha Elliott.
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| 246 |
3 |
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|a Guide to vocal performance practices
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| 260 |
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|a New Haven :
|b Yale University Press,
|c c2006.
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| 300 |
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|a xii, 356 p. :
|b music ;
|c 25 cm.
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| 504 |
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|a Includes bibliographical references (p. 327-346) and index.
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| 505 |
0 |
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|a Introduction -- 1. The early Baroque ; Baroque notation ; Scores and editions ; Thoroughbass ; Accompaniment instruments ; Pitch ; Vibrato ; Words and music ; Historical pronunciation ; Italy ; Voice types and registers ; Ornamentation ; England ; Voice types and ranges ; Ornamentation ; France ; Voice types and ranges ; Dance forms ; Notes inégales ; Ornamentation ; Diction -- 2. The late Baroque ; Scores and notation ; Modern editions ; Tempo ; Articulation ; Rhythmic alteration ; Legato ; Vibrato and breath ; Pitch ; Period instruments ; Recitative ; Italian influence ; Ornamenting arias ; Handel's Messiah ; Germany ; Ornamentation ; J.S. Bach and his singers ; France ; Secular cantatas ; Ornamentation -- 3. The Classical era ; Scores and editions ; Classical instruments ; Articulation and legato ; Tempo and rhythm ; Voice types and ranges ; Mozart on singers ; Vibrato and portamento ; Recitative ; Ornamentation -- 4. Italian bel canto ; Scores and editions ; Articulation and phrasing ; Tempo, rhythmic flexibility, and rubato ; Voice types ; Technique ; Vibrato ; Portamento ; Ornamentation ; Cadenzas and improvised florid embellishment -- 5. German Lieder ; Editions ; Transpositions ; German diction and technique ; Articulation and expression marks ; Embellishment ; Notated ornaments ; Vibrato and portamento ; The Piano ; Tempo and rhythm -- 6. French mélodies ; Editions, transpositions, and voice types ; French taste and aesthetics ; Ornamentation ; The Performer's new role ; Words and music ; Diction and articulation ; Portamento and vibrato ; Rhythm and tempo -- 7. Second Viennese School ; Publications and editions ; Performance and analysis ; The Society for Private Musical Performance ; Music and text ; Pierrot Lunaire ; Sprechstimme in other works ; Dynamics and articulation ; Tempo and rubato ; Learning this music -- 8. Early twentieth-century nationalism ; Russia ; Musorgsky and Olenina ; Rimsky-Korsakov, Rachmaninov, and Chaliapin ; Prokofiev ; Shostakovich ; Editions and language ; Spain ; Falla ; Rodrigo ; Editions ; England ; Britten and Pears ; Editions ; United States ; Ives ; Copland ; Barber ; Editions -- 9. Working with living composers ; Voice types ; Manuscripts, revisions, and published scores ; Notation ; Special vocal effects ; Other special instructions or requirements ; Learning difficult rhythms and pitches ; Vibrato ; Text and music ; Composers as performers ; Using recordings ; Conclusions: Finding the composers' intentions.
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| 650 |
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0 |
|a Singing
|x Interpretation (Phrasing, dynamics, etc.)
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| 650 |
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|a Performance practice (Music)
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| 650 |
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|a Vocal music
|x History and criticism.
|
| 856 |
4 |
1 |
|3 Table of contents
|u http://catdir.loc.gov/catdir/toc/ecip0510/2005009701.html
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| 856 |
4 |
2 |
|3 Contributor biographical information
|u http://catdir.loc.gov/catdir/enhancements/fy0664/2005009701-b.html
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| 856 |
4 |
2 |
|3 Publisher description
|u http://catdir.loc.gov/catdir/enhancements/fy0664/2005009701-d.html
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| 907 |
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|a .b14574895
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|c 10-18-06
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|e MT892 .E45 2006
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