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|a 2006023594
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|a 013746815
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|a 9780195189872 (alk. paper)
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|a 0195189876
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|a (OCoLC)70707774
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|a (OCoLC)70707774
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|a ML457
|b .H38 2007
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| 100 |
1 |
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|a Haynes, Bruce,
|d 1942-2011
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| 245 |
1 |
4 |
|a The end of early music :
|b a period performer's history of music for the twenty-first century /
|c Bruce Haynes.
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| 260 |
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|a Oxford, U.K. ;
|a New York :
|b Oxford University Press,
|c 2007.
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| 300 |
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|a xix, 284 p. :
|b music ;
|c 25 cm.
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| 504 |
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|a Includes bibliographical references (p. 251-266) and index.
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| 505 |
0 |
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|a Introduction -- Part I. Performing styles. When you say something differently, you say something different ; Mind the gap : current styles ; Mainstream style : "Chops, but no soul" -- Part II. How romantic are we? Classical music's coarse caress ; The transparent performer ; Changing meanings, permanent symbols -- Part III. Anachronism and authenticity. Original ears ; Ways of copying the past ; The medium is the message : period instruments -- Part IV. What makes baroque music "baroque"? Baroque expression and romantic expression compared ; The rainbow and the kaleidoscope : romantic phrasing compared with baroque -- Part V. The end of "early" music. Passive and active musicking : stop staring and grow your own ; Perpetual revolution.
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| 650 |
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0 |
|a Performance practice (Music)
|x History.
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| 650 |
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0 |
|a Music
|x Interpretation (Phrasing, dynamics, etc.)
|x Philosophy and aesthetics.
|
| 856 |
4 |
1 |
|3 Table of contents only
|u http://catdir.loc.gov/catdir/toc/ecip0617/2006023594.html
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|3 Contributor biographical information
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2 |
|3 Publisher description
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