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|a 9780822343202 (pbk. : alk. paper)
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|a 0822343363 (cloth : alk. paper)
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|b 000043203959
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|a (OCoLC)209335152
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|z (OCoLC)226361826
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|a DLC
|c DLC
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|a HCDM
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|a ML3506
|b .B53 2008
|
| 245 |
0 |
0 |
|a Big ears :
|b listening for gender in jazz studies /
|c edited by Nichole T. Rustin and Sherrie Tucker.
|
| 260 |
|
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|a Durham :
|b Duke University Press,
|c 2008.
|
| 300 |
|
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|a x, 460 p. :
|b ill. ;
|c 23 cm.
|
| 440 |
|
0 |
|a Refiguring American music
|
| 504 |
|
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|a Includes bibliographical references (p. [423]-433) and index.
|
| 505 |
0 |
0 |
|t Separated at "birth": singing and the history of jazz /
|r Lara Pellegrinelli --
|t With Lovie and Lil: rediscovering two Chicago pianists of the 1920s /
|r Jeffrey Taylor --
|t Gender, jazz, and the popular front /
|r Monica Hairston --
|g "The
|t battle of the saxes": gender, dance bands, and British nationalism in the Second World War /
|r Christina Baade --
|t Identity for sale: Glenn Miller, Wynton Marsalis, and cultural replay in music /
|r Tracy McMullen --
|t From the point of view of the pavement: a geopolitics of Black dance /
|r Jayna Brown --
|t Perverse hysterics: the noisy cri of Les Diaboliques /
|r Julie Dawn Smith --
|t "Born out of jazz ... yet embracing all music": race, gender, and technology in George Russell's Lydian chromatic concept /
|r Eric Porter --
|t "But this music is mine already!": "white woman" as jazz collector in the film New Orleans (1947) /
|r Sherrie Tucker --
|t Fitting the part /
|r Ingrid Monson --
|
| 505 |
0 |
0 |
|t "Better a jazz album than lipstick" (Lieber Jazzplatte als Lippenstift): the 1956 Jazz podium series reveals images of jazz and gender in post-war Germany /
|r Ursel Schlicht --
|t Exclusion, openness, and Utopia in Black male performance at the world stage jazz jam sessions /
|r João H. Costa Vargas --
|t "It takes two people to confirm the truth": the jazz fiction of Sherley Ann Williams and Toni Cade Bambara /
|r Farah Jasmine Griffin --
|t "Blow, man, blow!": representing gender, white primitives, and jazz melodrama through A young man with a horn /
|r Nichole T. Rustin --
|g The
|t gendered jazz aesthetics of That man of mine: the international sweethearts of rhythm and independent Black sound film /
|r Kristin McGee.
|
| 650 |
|
0 |
|a Jazz
|x History and criticism.
|
| 650 |
|
0 |
|a Jazz
|x Social aspects.
|
| 700 |
1 |
|
|a Rustin, Nichole T.
|
| 700 |
1 |
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|a Tucker, Sherrie,
|d 1957-
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| 907 |
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|a .b15764576
|b 05-23-16
|c 02-11-09
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|a College of the Holy Cross
|b Main Campus
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|e ML3506 .B53 2008
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