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| 001 |
b1781594 |
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20121115042138.0 |
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|a 2008036308
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|a 014888993
|2 Uk
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|a 262892811
|a 300401480
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|a 9780754664956 (hardcover : alk. paper)
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|a 0754664953 (hardcover : alk. paper)
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|a (OCoLC)244627977
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|z (OCoLC)300401480
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|a DLC
|b eng
|c DLC
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|d BWKUK
|d BWK
|d CDX
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|a f-gh---
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|a HCDM
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|a ML3760
|b .B96 2009
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| 100 |
1 |
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|a Burns, James
|q (James M.)
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| 245 |
1 |
0 |
|a Female voices from an Ewe dance-drumming community in Ghana :
|b our music has become a divine spirit /
|c James Burns.
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| 260 |
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|a Farnham, England ;
|a Burlington, VT :
|b Ashgate,
|c c2009.
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| 300 |
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|a xvii, 215 p. :
|b ill., maps, music ;
|c 25 cm. +
|e 1 DVD (sd., col. ; 4 3/4 in.)
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| 490 |
1 |
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|a SOAS musicology series
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| 500 |
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|a Accompanying DVD offers a glimpse into the lives of five women performers from the Dzigbordi community dance-drumming troupe of Dzodze, Ghana.
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| 504 |
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|a Includes bibliographical references (p. [205]-212) and index.
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0 |
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|a Daughters of the drum : the social environment of female artists in Dzodze -- The dance space : music associations, territories and events -- We are a communinty dance-drumming group : the Dzigbordi Hab̳ob̳o of Dzodze -- Doing it for everyone to see : the oral artistry of Dzigbordi in performance.
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| 505 |
0 |
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|a Contents of accompanying DVD: Christian dance music -- Dzodze -- Female life in Dzodze -- Music associations in Dzodze -- The song and drum leaders -- Dancing in Dzigbordi -- The Dzigbordi Haborbor -- Atsiã solo dance styles -- The Atsiã dance style of Dasi Amedahe -- The Atsiã dance style of Esther Amegble -- The Atsiã dance style of Dzatsugbi Agoha -- The Atsiã dance style of Sylvia Segla -- The Atsiã dance style of Xornam Tagborlo -- The future of Dzigbordi.
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| 520 |
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|a A detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures.
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| 650 |
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|a Ewe (African people)
|x Music
|x History and criticism.
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| 650 |
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|a Music
|x Social aspects
|z Ghana
|z Dzodze.
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| 650 |
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0 |
|a Women musicians
|z Ghana
|z Dzodze.
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| 610 |
2 |
0 |
|a Dzigbordi Hab̳ob̳o.
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| 650 |
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0 |
|a Dance
|x Social aspects
|z Ghana
|z Dzodze.
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| 830 |
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0 |
|a SOAS musicology series.
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| 856 |
4 |
1 |
|3 Table of contents only
|u http://catdir.loc.gov/catdir/toc/ecip0826/2008036308.html
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|b 05-23-16
|c 11-15-12
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|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Music
|d Music Library
|e ML3760 .B96 2009
|h Library of Congress classification
|i Book
|m 38400000657252
|n 1
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