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02393cam a2200517 a 4500 |
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b1782693 |
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20130118114834.0 |
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011031s2001 enka b 001 0 eng |
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|a 2001275989
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|a GBA1-W7368
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|a 60575889
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|a 0198250835
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|a 9780198250838
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|a 0199246610 (pbk.)
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|a 9780199246618 (pbk.)
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|a AU@
|b 000022829715
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|a UNITY
|b 023583584
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|a UKBDF
|b 0199246610
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|a UKBRU
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|a (OCoLC)47356353
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|a (OCoLC)47356353
|z (OCoLC)60575889
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|a UKM
|b eng
|c UKM
|d DLC
|d CUS
|d WEA
|d MUQ
|d BAKER
|d NLGGC
|d BTCTA
|d YDXCP
|d HEBIS
|d BDX
|d MUU
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|a lccopycat
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|a HCDM
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|a ML3845
|b .K586 2001
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|a 24.43
|2 bcl
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|a Kivy, Peter.
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245 |
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|a New essays on musical understanding /
|c Peter Kivy.
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260 |
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|a Oxford :
|b Clarendon,
|c 2001.
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300 |
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|a x, 236 p. :
|b ill. ;
|c 23 cm.
|
504 |
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|a Includes bibliographical references (p. [223]-226) and index.
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505 |
0 |
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|t Note-for-note : work, performance and early notation --
|t Music, will, and representation --
|t On Hanslick's inconsistency --
|t Making the codes and breaking the codes : two revolutions in twentieth-century music --
|t Auditor's emotions : contention, concession, compromise --
|t Experiencing the musical emotions.
|
505 |
0 |
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|t Arousal theory of musical expression : rethinking the unthinkable --
|t Absolute music and the new musicology --
|t Movements and 'movements' --
|t Music in memory and Music in the Moment --
|t How to forge a musical work.
|
650 |
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0 |
|a Music
|x Philosophy and aesthetics.
|
856 |
4 |
2 |
|3 Publisher description
|u http://catdir.loc.gov/catdir/enhancements/fy0611/2001275989-d.html
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907 |
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|a .b17826937
|b 08-08-13
|c 01-18-13
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|i 213c1396-5893-5f84-a9d4-87cbf9b24886
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952 |
f |
f |
|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Music
|d Music Library
|e ML3845 .K586 2001
|h Library of Congress classification
|i Book
|m 38400003572706
|n 1
|