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111121s2012 enka b 101 0 eng |
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|a 2011046852
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| 016 |
7 |
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|a 016096177
|2 Uk
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| 020 |
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|a 9783034308045 (alk. paper)
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|a 3034308043 (alk. paper)
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| 035 |
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|a (OCoLC)762135131
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| 035 |
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|a (OCoLC)762135131
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| 040 |
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|a DLC
|b eng
|c DLC
|d YDXCP
|d DEBBG
|d BTCTA
|d CDX
|d IUL
|d OHX
|d UKMGB
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|d OCLCA
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|a HCDD
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|a PN2601
|b .S63 2012
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|a PN
|2 lcco
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| 084 |
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|a HN 1270
|2 rvk
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| 084 |
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|a HG 290
|2 rvk
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| 245 |
0 |
0 |
|a Staging thought :
|b essays on Irish theatre, scholarship and practice /
|c edited by Rhona Trench.
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| 260 |
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|a Oxford ;
|a New York :
|b Peter Lang,
|c 2012.
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| 300 |
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|a xx, 309 p. :
|b ill. ;
|c 22 cm.
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| 500 |
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|a Essays originally presented at a Irish Society for Theatre Research (ISTR) conference, hosted by the Institute of Technology, Sligo, in 2009.
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a Performance process, practice and space. The sound of one hand clapping / Frank Conway -- A blend of Irish and European theatre process and practice: Blue Raincoat Theatre Company's production of W.B. Yeats' The cat and the moon (1926) / Rhona Trench -- Place and non-place: discussing physicality and story in Barabbas Theatre Company's Circus (2007) / Carmen Szabo -- Cultural differences in staging Brian Friel's Translations in Romania / Agnes Pallai -- Theatre, text and performance. Ways of seeing and The Womb-Theatre: theatrical space and scenic presentation in Marina Carr's Ariel / Enrica Cerquoni -- The actor's body as a heterotopic language in Bill Morrison's The marriage / Virginie Privas-Braut -- Irish theatre studies in the performance age: the case of Stewart Parker / Caoileann Thompson -- "It would never happen on The Waltons": Enda Walsh's The Walworth farce / Eamonn Jordan -- Performance, performers and audience. Sleight of frame: exploitations of comic feeling by two Irish playwrights / Eric Weitz -- "God's comic": narratives of performed identity of Irish stand-up comedian Tommy Tiernan / Suzanne Colleary -- Decoding the audience: Enda Walsh's Chatroom (2008) / Fiona Fearon -- Performing memory, ritual and tradition. Fashion advice: Constance Markievicz's "Unmarked", "Mismarked" and "Remarkable" women / Mary Caulfield -- Broken narratives, performing ruins: Yeats, Beckett and the dramatic landscape of catastrophe / Michael Jaros -- J.M. Synge, W.B. Yeats and The changeling of the Western World / Christopher Collins -- Female self-Authorship and reperformance of the "Good death" in Marina Carr's Woman and scarecrow / Shonagh Hill -- Performing cultural identities. "The less you bump, the faster you go": staged scenes of Dissensus in CoisCim's Dodgems / Aoife McGrath -- Theatre and nation: performing statelessness in Ireland and abroad / Steve Wilmer -- Performing cultural trauma: The 1980 "A Sense of Ireland" Festival / Holly Maples.
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| 650 |
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|a Theater
|z Ireland
|x History
|y 21st century
|v Congresses.
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| 650 |
|
0 |
|a Performing arts
|z Ireland
|x History
|y 21st century
|v Congresses.
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| 700 |
1 |
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|a Trench, Rhona,
|d 1972-
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| 907 |
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|a .b18175624
|b 03-03-14
|c 10-22-13
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|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library
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|h Library of Congress classification
|i Book
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