|
|
|
|
| LEADER |
00000cam a2200000 a 4500 |
| 001 |
b1944489 |
| 003 |
MWH |
| 005 |
20140318011713.0 |
| 008 |
110311m20112012ncua b 001 0 eng c |
| 010 |
|
|
|a 2011010869
|
| 016 |
7 |
|
|a 015957971
|2 Uk
|
| 019 |
|
|
|a 700406661
|a 719429005
|
| 020 |
|
|
|a 9780822347545 (v. 1 : alk. paper)
|
| 020 |
|
|
|a 0822347547 (v. 1 : alk. paper)
|
| 020 |
|
|
|a 9780822347750 (v. 1 : pbk. : alk. paper)
|
| 020 |
|
|
|a 082234775X (v. 1 : pbk. : alk. paper)
|
| 020 |
|
|
|a 9780822347552 (v. 2 : alk. paper)
|
| 020 |
|
|
|a 0822347555 (v. 2 : alk. paper)
|
| 020 |
|
|
|a 9780822347743 (v. 2 : pbk. : alk. paper)
|
| 020 |
|
|
|a 0822347741 (v. 2 : pbk. : alk. paper)
|
| 020 |
|
|
|a 9780822348658 (v. 3 : alk. paper)
|
| 020 |
|
|
|a 0822348659 (v. 3 : alk. paper)
|
| 020 |
|
|
|a 9780822348771 (v. 3 : pbk. : alk. paper)
|
| 020 |
|
|
|a 0822348772 (v. 3 : pbk. : alk. paper)
|
| 020 |
|
|
|a 9780822348665 (v. 4 : alk. paper)
|
| 020 |
|
|
|a 0822348667 (v. 4 : alk. paper)
|
| 020 |
|
|
|a 9780822348788 (v. 4 : pbk. : alk. paper)
|
| 020 |
|
|
|a 0822348780 (v. 4 : pbk. : alk. paper)
|
| 035 |
|
|
|a (OCoLC)707726498
|
| 035 |
|
|
|a (OCoLC)707726498
|z (OCoLC)700406661
|z (OCoLC)719429005
|
| 040 |
|
|
|a NcD/DLC
|b eng
|c DLC
|d YDXCP
|d INU
|d BWX
|d CDX
|d UKMGB
|d PUL
|d EMU
|d BDX
|d YUS
|d BTCTA
|d WAU
|d RBN
|d FUG
|d VP@
|d FDA
|d OCLCF
|d IDU
|d P4I
|
| 042 |
|
|
|a pcc
|
| 043 |
|
|
|a a-ir---
|
| 049 |
|
|
|a HCDD
|
| 050 |
0 |
0 |
|a PN1993.5.I846
|b N34 2011
|
| 100 |
1 |
|
|a Naficy, Hamid.
|
| 245 |
1 |
2 |
|a A social history of Iranian cinema /
|c Hamid Naficy.
|
| 246 |
3 |
|
|a History of Iranian cinema
|
| 260 |
|
|
|a Durham [N.C.] :
|b Duke University Press,
|c 2011-2012.
|
| 300 |
|
|
|a 4 v. :
|b ill. ;
|c 25 cm.
|
| 504 |
|
|
|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a VOLUME 1. The artisanal era, 1897-1941. Preface: how it all began ; Introduction: national cinema, modernity, and Iranian national identity ; Artisanal silent cinema in the Qajar Period ; Ideological and spectatorial formations ; State formation and nonfiction cinema: syncretic Westernization during the first Pahlavi Period ; A transitional cinema: the feature film industry and sound cinema ; Modernity's ambivalent sujectivitiy: dandies and the dandy movie genre -- VOLUME 2. The industrializing years, 1941-1978. International haggling over Iranian public screens ; The statist documentary cinema and its alternatives ; Commerical cinema's evolution: from artisanal mode to hybrid production ; Family melodramas and comedies: the stewpot movie genre ; Males, masculinity, and power: the tough-guy movie genre and its evolution ; A dissident cinema: new-wave films and the end of an era -- VOLUME 3. The Islamicate period, 1978-1984. Transition from "cinema of idolatry" to an "Islamicate cinema" ; Documenting the uprising, the revolution, and the emerging opposition ; Consolidating a new "Islamicate" cinema and film culture -- VOLUME 4. The globalizing era, 1984-2010. The resurgence of nonfiction cinema: postrevolutionary documentaries and fiction war films ; Under cover, on screen: women's representation and women's cinema ; All certainties melt into thin air: art-house cinema, a "postal" cinema ; Emergent contestatory films, media culture, and public diplomacy ; Iranian, but with a different accent: a cinema of displacement or a displaced cinema? ; Appendix A: Iranian films in distribution (c. 2005) ; Appendix B: Film house of Iran's film collection ; Appendix C: International film and video center Iranian film collection.
|
| 520 |
|
|
|a Hamid Naficy is one of the world's leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own. Volume 1 depicts and analyzes the early years of Iranian cinema. Film was introduced in Iran in 1900, three years after the country's first commercial film exhibitor saw the new medium in Great Britain. The presence of women, both on the screen and in movie houses, proved controversial until 1925, when Reza Shah Pahlavi dissolved the Qajar dynasty. Ruling until 1941, Reza Shah implemented a Westernization program intended to unite, modernize, and secularize his multicultural, multilingual, and multiethnic country. Cinematic representations of a fast-modernizing Iran were encouraged, the veil was outlawed, and dandies flourished. At the same time, photography, movie production, and movie houses were tightly controlled. Film production ultimately proved marginal to state formation. Only four silent feature films were produced in Iran; of the five Persian-language sound features shown in the country before 1941, four were made by an Iranian expatriate in India. -- The third volume of this series covers the period of the Islamic Revolution and its immediate aftermath. Naficy details the destruction of Iran's movie theaters by Revolutionaries, the attempts of amateur and professional filmmakers to capture the action of the Revolution on film in real time, and the post-Revolutionary consolidation of the film industry.--Publisher description.
|
| 650 |
|
0 |
|a Motion pictures
|z Iran
|x History.
|
| 650 |
|
0 |
|a Motion pictures
|x Social aspects
|z Iran.
|
| 907 |
|
|
|a .b19444898
|b 08-26-14
|c 03-18-14
|
| 998 |
|
|
|a (4)hd
|a (4)hz
|b 04-23-14
|c m
|d a
|e -
|f eng
|g ncu
|h 2
|i 0
|
| 994 |
|
|
|a C0
|b HCD
|
| 945 |
|
|
|c v.1
|f - -
|g 1
|h 0
|i 38400003997770
|j - -
|k 07-13-2015 10:52
|l hddin
|o -
|p $0.00
|q -
|r -
|s -
|t 0
|u 1
|v 0
|w 1
|x 0
|y .i16574060
|z 04-23-14
|
| 945 |
|
|
|c v.2
|f - -
|g 1
|h 0
|i 38400003997788
|j - -
|k 07-13-2015 10:52
|l hddin
|o -
|p $0.00
|q -
|r -
|s -
|t 0
|u 1
|v 0
|w 1
|x 0
|y .i16574084
|z 04-23-14
|
| 945 |
|
|
|c v.3
|f - -
|g 1
|h 0
|i 38400003997762
|j - -
|k 07-13-2015 10:52
|l hddin
|o -
|p $0.00
|q -
|r -
|s -
|t 0
|u 1
|v 0
|w 1
|x 0
|y .i16574096
|z 04-23-14
|
| 945 |
|
|
|c v.4
|f - -
|g 1
|h 0
|i 38400003994942
|j - -
|k 07-13-2015 10:52
|l hddin
|o -
|p $0.00
|q -
|r -
|s -
|t 0
|u 1
|v 0
|w 1
|x 0
|y .i16574102
|z 04-23-14
|
| 999 |
f |
f |
|i 4402c270-9580-5002-a3f4-0740ab984d7a
|s f6649ae1-c824-5ebd-9f7f-e2633fd6febb
|
| 952 |
f |
f |
|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library
|e PN1993.5.I846 N34 2011
|h Library of Congress classification
|i Book
|j v.2
|m 38400003997788
|n 1
|
| 952 |
f |
f |
|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library
|e PN1993.5.I846 N34 2011
|h Library of Congress classification
|i Book
|j v.3
|m 38400003997762
|n 1
|
| 952 |
f |
f |
|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library
|e PN1993.5.I846 N34 2011
|h Library of Congress classification
|i Book
|j v.1
|m 38400003997770
|n 1
|
| 952 |
f |
f |
|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library
|e PN1993.5.I846 N34 2011
|h Library of Congress classification
|i Book
|j v.4
|m 38400003994942
|n 1
|