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|a The philosophy of Michael Mann /
|c edited by Steven Sanders, Aeon J. Skoble, and R. Barton Palmer.
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|a Michael Mann
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| 264 |
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1 |
|a Lexington, Ky. :
|b University Press of Kentucky,
|c [2014]
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| 300 |
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|a 1 online resource (275 pages).
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1 |
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|a Philosophy of popular culture
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| 490 |
1 |
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|a JSTOR Open Access Ebooks
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
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|a An introduction to the philosophy of Michael Mann / Steven Sanders -- Michael Mann and nonplace: a Nietzschean element in Mann's modern crime films / Robert Arnett -- "Awakened to chaos": outsiders in The jericho mile and Thief / R. Barton Palmer -- Existential Mann / Steven Sanders -- "Do you see?": Reflecting on evil in Manhunter / Aeon J. Skoble -- Mann and Übermensch: evil and power in Manhunter / David Sterritt -- "Blood in the moonlight": toward an aesthetics of horror in The keep and Manhunter / Ivo Ritzer -- Style, meaning, and myth in Public enemies / Steven Rybin -- Interiorization in public enemies / Murray Pomerance -- Mannerism: neoclassical style in the films of Michael Mann / Tom Paulus and Vito Adriaensens -- The ethics of contracts, conscience, and courage in The insider / David LaRocca -- The commodification of justice: Michael Mann and postmodern law / Mark Wildermuth -- Subjectivity and the ethics of duty in Michael Mann's cinema / Aga Skrodzka -- Natural man, natural rights, and eros: conflicting visions of nature, society, and love in The last of the Mohicans / Alan Woolfolk -- Emotion, truth, and space in Heat / Jonah Corne -- Mann's biopics and the methodology of philosophy: Ali and The insider / David Rodríguez-Ruiz.
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| 520 |
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|a Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works -- Ali (2001), Miami Vice (2006), and Public.
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| 588 |
0 |
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|a Print version record.
|
| 590 |
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|a Loaded electronically.
|
| 590 |
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|a Electronic access restricted to members of the Holy Cross Community.
|
| 600 |
1 |
0 |
|a Mann, Michael,
|d 1943-
|x Criticism and interpretation.
|
| 655 |
|
0 |
|a Electronic books.
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 690 |
|
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|a Electronic resources (E-books)
|
| 700 |
1 |
|
|a Sanders, Steven,
|d 1945-
|e editor.
|
| 700 |
1 |
|
|a Skoble, Aeon J.,
|e editor.
|
| 700 |
1 |
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|a Palmer, R. Barton,
|d 1946-
|e editor.
|
| 830 |
|
0 |
|a Philosophy of popular culture.
|
| 830 |
|
0 |
|a JSTOR Open Access Ebooks.
|
| 856 |
4 |
0 |
|u https://holycross.idm.oclc.org/login?auth=cas&url=http://www.jstor.org/stable/10.2307/j.ctt5vkktc
|3 Click to view e-book
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