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|a 780661229
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|a 9780226280554 (hardcover : alkaline paper)
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| 100 |
1 |
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|a Gamboni, Dario.
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| 240 |
1 |
0 |
|a Plume et le pinceau.
|l English
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| 245 |
1 |
4 |
|a The Brush and the Pen :
|b Odilon Redon and Literature /
|c DARIO GAMBONI ; translated by Mary Whittall.
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| 260 |
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|a Chicago :
|b University of Chicago Press,
|c [2011]
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| 300 |
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|a xxi, 401 pages :
|b illustrations ;
|c 24 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
0 |
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|a The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism -- The primacy of admirers and the limits of recognition -- Redon in the arena of criticism -- Avowals, denials, and polemics -- The brush takes up the pen: the late writings -- New views of art, literature, and criticism -- Friends and foes: the pen and the brush -- A posthumous triumph -- Family quarrels -- A fin-de-siècle crisis in artist-writer relations -- The rise of formalism and the complicity of adversaries.
|
| 600 |
1 |
0 |
|a Redon, Odilon,
|d 1840-1916
|x Criticism and interpretation.
|
| 650 |
|
0 |
|a Illustration of books
|z France
|y 19th century
|x Themes, motives.
|
| 650 |
|
0 |
|a Ut pictura poesis (Aesthetics)
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| 600 |
1 |
0 |
|a Huysmans, J.-K.
|q (Joris-Karl),
|d 1848-1907.
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a .b22413807
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|c 11-14-15
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| 952 |
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|p Can Circulate
|a College of the Holy Cross
|b Main Campus
|c Worcester Art Museum
|d Worcester Art Museum Library - Reading Room
|t 0
|e NC980.5.R43 G3513 2011
|h Other scheme
|i Book
|m 30000000295281
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