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|a Straus, Joseph Nathan.
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|a Twelve-tone music in America /
|c Joseph N. Straus.
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|a Cambridge, UK ;
|a New York :
|b Cambridge University Press,
|c 2009
|g (2014 printing)
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300 |
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|a xxiv, 301 pages :
|b illustrations, music ;
|c 26 cm.
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|a text
|b txt
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|a Music in the twentieth century ;
|v [25]
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|a Includes bibliographical references and index.
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|a Part one. Thirty-seven ways to write a twelve-tone piece. "Ultramodern" composers : Adolph Weiss, Wallingford Riegger, Carl Ruggles, and Ruth Crawford Seeger ; European immigrants : Arnold Schoenberg, Ernst Krenek, Igor Stravinsky, and Stefan Wolpe ; Postwar pioneers : Milton Babbitt, Elliott Carter, George Perle, Aaron Copland, and Roger Sessions ; An older generation : composers born before 1920 : Ben Weber, George Rochberg, Ross Lee Finney, Barbara Pentland, and Roque Cordero ; Some serial neoclassicists, tonalists, jazzers, and minimalists : Arthur Berger, Irving Fine, Louise Talma, Samuel Barber, Gunther Schuller, Hale Smith, and Michael Torke ; A middle generation : composers born between 1920 and 1940 : Charles Wuorinen, Donald Martino, Ralph Shapey, Ursula Mamlok, Peter Westergaard, Leonard Rosenman, and Mel Powell ; A younger generation : composers born after 1940 : Joseph Schwantner, Robert Morris, Peter Lieberson, Andrew Mead, and Jeff Nichols -- Part two. American twelve-tone music in context. The composition of twelve-tone music in America ; The history of twelve-tone music in America ; The reception of twelve-tone music in America ; Conclusion.
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|a Twelve-tone system
|z United States
|x History
|y 20th century.
|
650 |
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|a Music
|z United States
|y 20th century
|x History and criticism.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
830 |
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|a Music in the twentieth century ;
|v 25.
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