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|a Sidlina, N. Z.
|q (Natalʹi︠a︡ Zinovʹevna)
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|a Naum Gabo.
|l English
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|a Naum Gabo /
|c Natalia Sidlina ; translated by Sarah Cabrol-Douat and Natalia Sidlina.
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|a English language edition.
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| 264 |
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|a London :
|b Tate Publishing,
|c 2012.
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| 300 |
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|a 207 pages :
|b illustrations (some color) ;
|c 21 cm
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| 336 |
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|a text
|b txt
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|a volume
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| 504 |
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|a Includes bibliographical references and index.
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|a Childhood and Student Years (1890-1914) -- At The Crossroads, or Between Science and Art -- Gabo's Constructions and Russian Constructivism (1914-22) -- Gabo's First Figurative Constructions and His Stereometic Method -- The Madonna of The Twentieth Century -- Moscow Experiments -- Kinetic Construction -- Column: A Symbiosis of Sculpture and Architecture -- A Russian Constructivist in Europe (1922-36) -- The Introduction of a New Medium -- Curved Space and the Transition Towards Organic Forms -- Gabo and Diaghilev -- The End of Utopia: The Competition for the Palace of Soviets, 1931 -- Creativity and the War: The British Period (1936-46) -- Surrealism Versus Geometrical Abstraction -- Dematerialism of the Form and Transparency in Sculpture -- In Search of the Ideal Form -- The Spheric Theme -- 'The Highest Point of Aesthetic Intuition of a Man' -- The Spiral Theme -- The War Diaries -- St Ives -- 'Heavenly Instruments': The Technique of Linear Stringing -- Monuments for the New World (1946-77) -- Abbreviations -- Illustrations -- Index.
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| 520 |
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|a "Russian-born Jewish sculptor Naum Gabo (1890-1977) is one of the 20th century's most unsung artistic masters. In 1917, Gabo developed the theories and practice of a new art movement he called Constructivism, and, along with his brother, he wrote the Realistic Manifesto of 1920, which promoted art as a part of man's everyday existence without the confinement of artistic terms and convention. In the 1920s and '30s, Gabo traveled extensively to the hubs of modernism in Europe, including a stint teaching at the Bauhaus. He was with Mondrian's Abstraction-Creation group in the wake of the Nazi occupation of Paris, and upon the outbreak of WWII, the artist moved to Cornwall, England, and later to the United States. As this new book's 142 color plates demonstrate, Gabo's work reveals rigorous inquiries into ways of representing mass, volume, and space. His sensitive and imaginative use of materials, ranging from fishing line to Perspex to wood, created a rhythm and balance within his sculptures that evokes an intense emotional response."--Publisher description.
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|a Gabo, Naum,
|d 1890-1977.
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| 650 |
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|a Sculptors
|z Soviet Union
|v Biography.
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| 650 |
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|a Constructivism (Art)
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| 655 |
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7 |
|a Biography.
|2 fast
|0 (OCoLC)fst01423686
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|a College of the Holy Cross
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|c Worcester Art Museum
|d Worcester Art Museum Library - Reading Room
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