Consuming music : individuals, institutions, communities, 1730-1830 / edited by Emily H. Green and Catherine Mayes.

The successful sale and distribution of music has always depended on both a physical and a social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture...

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Bibliographic Details
Other Authors: Grant, Roger Mathew (Contributor), Goodman, Glenda (Contributor), Sumner Lott, Marie (Contributor), Mondelli, Peter (Contributor), Ridgewell, Rupert M. (Contributor), Wood Uribe, Patrick, 1973- (Contributor), Zohn, Steven David, 1966- (Contributor), Green, Emily (Editor), Mayes, Catherine, 1979- (Editor)
Format: Book
Language:English
Published: Rochester : University of Rochester Press, 2017.
Series:Eastman studies in music ; v. 138.
Subjects:
Table of Contents:
  • Music's first consumers : publishers in the late eighteenth century / Emily H. Green
  • Inside a Viennese Kunsthandlung : Artaria in 1784 / Rupert Ridgewell
  • Morality and the "fair-sexing" of Telemann's faithful music master / Steven Zohn
  • Eighteenth-century mediations of music theory : meter, tempo, and affect in print / Roger Mathew Grant
  • Musical style as commercial strategy in Romantic chamber music / Marie Sumner Lott
  • In Vienna "only waltzes get printed" : the decline and transformation of the Contredanse Hongroise in the early nineteenth century / Catherine Mayes
  • The power to please : gender and celebrity self-commodification in the early American republic / Glenda Goodman
  • Exchanging ideas in a changing world : Adolph Bernhard Marz and the Berliner allgemeine musikalische Zeitung in 1824 / Patrick Wood Uribe
  • Parisian opera between commons and commodity, ca. 1830 / Peter Mondelli.