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|a NW 8100
|2 rvk
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| 100 |
1 |
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|a Hu, Ying,
|d 1962-
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| 245 |
1 |
0 |
|a Tales of translation :
|b composing the new woman in China, 1899-1918 /
|c Hu Ying.
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| 246 |
3 |
0 |
|a Composing the new woman in China, 1899-1918
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| 260 |
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|a Stanford, Calif. :
|b Stanford University Press,
|c ©2000.
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| 300 |
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|a ix, 265 pages :
|b illustrations ;
|c 24 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 235-252) and index.
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| 505 |
0 |
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|t Introduction: The Emerging New Woman and Her Significant Others
|g 1 --
|g 1
|t Flower in a Sea of Retribution: A Tale of Border-Crossing
|g 21 --
|g 2
|t Transplanting the Lady of the Camellias
|g 67 --
|g 3
|t From Sophia to Su Feiya
|g 106 --
|g 4
|t Madame Roland and Her Chinese Sister
|g 153 --
|t Epilogue: Women Repositioned
|g 197.
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| 520 |
1 |
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|a "The late Qing era witnessed the translating, printing, and reading of a vast amount of Western literature, amounting to what has been called a "translation fever." The author focuses on the fictional and translational representation of a range of Western female icons, including Sophia Perovskaia (the Russian anarchist and would-be assassin of the tsar), the French Revolutionary figure Madame Roland, and Dumas's "la Dame aux camelias." In tracing the circulation and transformation of these popular figures through travel books, biographies, newspaper articles, oral performance scripts, and novels, this book narrates the complex relationship between imagining a foreign other and re-imagining the self.
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| 650 |
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|a Women
|z China.
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| 650 |
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|a Women
|v Cross-cultural studies.
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| 650 |
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|a Women
|x Social conditions.
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| 650 |
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0 |
|a Women in literature.
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| 655 |
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7 |
|a Cross-cultural studies.
|2 fast
|0 (OCoLC)fst01423769
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| 856 |
4 |
1 |
|3 Table of contents
|u http://catdir.loc.gov/catdir/toc/cam028/99086964.html
|t 0
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| 856 |
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2 |
|3 Contributor biographical information
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| 856 |
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2 |
|3 Publisher description
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|a .b29147554
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