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|a N5613
|b .L67 2016
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| 084 |
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|a ART015060
|2 bisacsh
|
| 100 |
1 |
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|a Lorenz, Katharina,
|e author.
|
| 245 |
1 |
0 |
|a Ancient mythological images and their interpretation :
|b an introduction to iconology, semiotics, and image studies in classical art history /
|c Katharina Lorenz (University of Nottingham).
|
| 264 |
|
1 |
|a Cambridge, United Kingdom ;
|a New York, New York :
|b Cambridge University Press,
|c 2016.
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| 300 |
|
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|a xiv, 288 pages :
|b illustrations ;
|c 24 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 520 |
2 |
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|a "When we try to make sense of pictures, what do we gain when we use a particular method--and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery--a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century CE Roman sarcophagus--enables Katharina Lorenz to demonstrate how theoretical approaches to images (specifically, iconology, semiotics, and image studies) impact the meanings we elicit from Greek and Roman art. A guide to Classical images of myth, and also a critical history of Classical archaeology's attempts to give meaning to pictures, this book establishes a dialogue with the wider field of art history and proposes a new framework for the study of ancient visual culture. It will be essential reading not just for students of classical art history and archaeology, but for anyone interested in the possibilities--and the history--of studying visual culture"--
|c Provided by publisher.
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| 520 |
2 |
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|a "Proposes a new framework for the study of (ancient) visual culture based on engagement with Greek and Roman mythological imagery, appealing to those seeking to better their understanding of Greek and Roman cultural history; relates historiography and method development in Classical archaeology and ancient art history to the art history of more modern periods, and will therefore be of interest to readers interested in the Classical world and those concerned with more recent historical periods; tracks intellectual developments in different contexts and carves out their similarities and differences, speaking to readers from different intellectual backgrounds and familiarising them with broader developments in Western European art history"--From publisher's website.
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| 504 |
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|a Includes bibliographical references (pages 246-281) and index.
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| 505 |
0 |
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|a The Experiment : Methods, Images, Objects -- [1] Iconology -- Introducing Iconology -- Iconology in Action -- Narratives of Object and Meaning -- [2] Semiotics -- Introducing Semiotics -- Semiotics in Action -- Narratives of Sign and Signification -- [3] Image Studies -- Introducing Image Studies -- Image Studies in Action -- Narratives of Space and Perspective -- The Study of Mythological Images as Threesome--Assessing the Experiment.
|
| 650 |
|
0 |
|a Art, Classical
|x Philosophy.
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| 650 |
|
0 |
|a Art, Classical
|x History.
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| 650 |
|
0 |
|a Mythology, Greek, in art.
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| 650 |
|
0 |
|a Mythology, Roman, in art.
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| 650 |
|
0 |
|a Visual communication
|x Philosophy.
|
| 650 |
|
0 |
|a Visual communication
|x History.
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| 650 |
|
0 |
|a Image (Philosophy)
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| 650 |
|
0 |
|a Semiotics and art.
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| 650 |
|
0 |
|a Classical antiquities.
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| 655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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| 907 |
|
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|a .b29415664
|b 10-10-19
|c 06-05-19
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| 998 |
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|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library - Visual Arts Wing
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|h Library of Congress classification
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|m 38400004197214
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