Norton anthology of Western music

Norton anthology of Western music / edited by J. Peter Burkholder and Claude V. Palisca.

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Bibliographic Details
Other Authors: Burkholder, J. Peter (James Peter) (Editor), Palisca, Claude V. (Editor), Grout, Donald Jay
Format: Musical Score
Language:Multiple
English
French
German
Ancient Greek
Greek
Italian
Latin
Russian
Published: New York, NY : W. W. Norton & Company, Inc., [2019]
Edition:Eighth edition.
Subjects:
Music > History and criticism > Music collections.
Musical analysis > Music collections.
Music appreciation > Music collections.
Instrumental music > Excerpts > Scores.
Instrumental music > Scores.
Vocal music > Excerpts > Scores.
Vocal music > Scores.
Electronic music.
Jazz.
Electronic music
Instrumental music > Scores
Jazz
Music
Music appreciation
Musical analysis
Vocal music > Scores
jazz.
excerpts.
Art music
Collections
Criticism, interpretation, etc.
Excerpts
Scores
Art music.
Scores.
Excerpts.
Table of Contents:
  • Volume One. Ancient to Baroque
  • Volume Two. Classic to Romantic
  • Volume Three. The twentieth century and after.
  • Volume One (xxv, 966 pages)
  • Making connections : How to use this anthology
  • Acknowledgments
  • Pitch designations
  • The ancient and medieval worlds
  • Music in antiquity
  • Roman liturgy and chant
  • Song and dance music to 1300
  • Polyphony through the thirteenth century
  • New developments in the fourteenth century
  • The renaissance
  • England and Burgundy in the fifteenth century
  • Franco-Flemish composers, 1450-1520
  • Madrigal and secular song in the sixteenth century
  • Sacred music in the era of the reformation
  • The rise of instrumental music
  • The seventeenth century
  • New styles in the seventeenth century
  • The invention of opera
  • Music for chamber and church in the early seventeenth century
  • France, England, Spain, the New World, and Russia in the seventeenth century
  • Italy and Germany in the late seventeenth century
  • The eighteenth century
  • The early eighteenth century in Italy and France
  • German composers of the late baroque
  • Appendixes and indexes
  • Instrument names and abbreviations
  • Glossary of score and performance indications
  • Index of composers
  • Index of titles
  • Index of forms and genres.
  • Volume Two (xxiii, 1288 pages)
  • Making connections : How to use this anthology
  • Acknowledgments
  • Pitch designations
  • The eighteenth century
  • Opera and vocal music in the Early Classic Period
  • Instrumental music : Sonata, symphony, and concerto
  • Classic music in the late eighteenth century
  • The nineteenth century
  • Revolution and change
  • The Romantic generation : Song and piano music
  • Romanticism in classical forms : Choral, chamber, and orchestral music
  • Romantic opera and musical theater to midcentury
  • Opera and musical theater in the later nineteenth century
  • Late Romanticism in German musical culture
  • Diverging traditions in the later nineteenth century
  • Appendixes and indexes
  • Instrument names and abbreviations
  • Glossary of score and performance indications
  • Index of composers
  • Index of titles
  • Index of forms and genres.
  • Volume Three (xx1, 986 pages)
  • Making connections : How to use this anthology
  • Acknowledgments
  • Pitch designations
  • The early twentieth century: the classical tradition
  • Radical modernists
  • Between the World Wars: jazz and popular music
  • Between the World Wars: the classical tradition
  • Postwar crosscurrents
  • Postwar heirs to the classical tradition
  • The late twentieth century
  • The twenty-first century
  • Appendixes and indexes
  • Instrument names and abbreviations
  • Glossary of score and performance indications
  • Index of composers
  • Index of titles
  • Index of forms and genres.

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