Varieties of musical irony : from Mozart to Mahler / Michael Cherlin.
Irony, one of the most basic, pervasive, and variegated of rhetorical tropes, is as fundamental to musical thought as it is to poetry, prose, and spoken language. In this wide-ranging study of musical irony, Michael Cherlin draws upon the rich history of the trope as developed by rhetoricians, philo...
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Cambridge, United Kingdom ; New York, NY :
Cambridge University Press,
2017.
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| Subjects: | |
| Holy Cross Note: | "First paperback edition, 2019" -- Title page verso. |
| Summary: | Irony, one of the most basic, pervasive, and variegated of rhetorical tropes, is as fundamental to musical thought as it is to poetry, prose, and spoken language. In this wide-ranging study of musical irony, Michael Cherlin draws upon the rich history of the trope as developed by rhetoricians, philosophers, literary scholars, poets, and novelists. With occastional reflections on film music and other contemporary works, the principal focus of the book is classical music, instrumental and vocal, ranging from Mozart to Mahler. The result is a surprising array of approaches toward the making and interpretation of irony in music. Including nearly ninety musical examples, the book is clearly structured and engagingly written. This interdisciplinary volume will appeal to those interested in the relationship between music and literature as well as to scholars of musical compositions, technique, and style. -- from back cover. |
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| Physical Description: | xvii, 266 pages : music ; 26 cm |
| Bibliography: | Includes bibliographical references (pages 259-263) and index. |
| ISBN: | 9781316506516 1316506517 9781107141292 110714129X |