|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
b3120617 |
| 003 |
MWH |
| 005 |
20191024025335.0 |
| 008 |
160108s2016 msua b s001 0deng |
| 010 |
|
|
|a 2016000661
|
| 015 |
|
|
|a GBB7I5639
|2 bnb
|
| 016 |
7 |
|
|a 017945509
|2 Uk
|
| 020 |
|
|
|a 9781496807267
|q (hardback)
|
| 020 |
|
|
|a 149680726X
|q (hardback)
|
| 020 |
|
|
|a 9781496818492
|q (paperback)
|
| 020 |
|
|
|a 1496818490
|q (paperback)
|
| 020 |
|
|
|z 9781496807274 (epub single)
|
| 020 |
|
|
|z 9781496807281 (epub institutional)
|
| 020 |
|
|
|z 9781496807298 (pdf single)
|
| 020 |
|
|
|z 9781496807304 (pdf institutional)
|
| 035 |
|
|
|a (OCoLC)930257062
|
| 035 |
|
|
|a (OCoLC)930257062
|
| 040 |
|
|
|a DLC
|b eng
|e rda
|c DLC
|d YDX
|d BTCTA
|d YDXCP
|d BDX
|d OCLCF
|d DRB
|d COO
|d OSU
|d UBY
|d CHVBK
|d OCLCO
|d OCLCA
|d OCLCQ
|d OCLCA
|d STF
|d NYP
|d UKMGB
|d DKC
|d LML
|
| 042 |
|
|
|a pcc
|
| 049 |
|
|
|a HCDD
|
| 084 |
|
|
|a LIT017000
|a BIO001000
|a SOC022000
|2 bisacsh
|
| 090 |
|
|
|a PN6790.B43
|b H468 2016
|
| 245 |
0 |
4 |
|a The comics of Hergé :
|b when the lines are not so clear /
|c edited by Joe Sutliff Sanders.
|
| 246 |
3 |
|
|a When the lines are not so clear
|
| 264 |
|
1 |
|a Jackson :
|b University Press of Mississippi,
|c [2016]
|
| 300 |
|
|
|a ix, 213 pages :
|b illustrations ;
|c 24 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 490 |
1 |
|
|a Critical approaches to comics artists
|
| 500 |
|
|
|a "A wide-ranging critical engagement with the creator of Tintin" -- Back cover.
|
| 504 |
|
|
|a Includes bibliographical references (pages 191-202) and index.
|
| 505 |
0 |
|
|a Tintin chronology -- Introduction / Joe Sutliff Sanders -- SECTION ONE: ABSENCE AND PRESENCE -- Signifying nothing: Tintin in Tibet / Jim Casey -- Actions, disjunctions, and passions in graphic narratives: narrative virtualities in The adventures of Tinin / Benjamim Picado and Jonathas Miranda de Araujo -- The shape of the jewel: polyphony, polyrhythms, and musical structure in The Castafiore emerald / Andrei Molotiu -- Alph-Art, B-movies, cast corpses: death-by-sculpture and Hergé's middle ground / Vanessa Meikle Schulman -- SECTION TWO: CHANGES IN AND AFTER HERGE -- Continuing clear line, 1983-2013 / Matthew Screech -- Modernizing Tintin: from myth to new stylizations / Jan Baetens and Hugo Frey -- The flying dialogues: Hergé's use of aviation from Quick & Flupke to Tintin / Guillaume de Syon -- Hergé's occupations: how the creator of Tintin made a deal with the devil and became a better cartoonist / Joe Sutliff Sanders -- SECTION THREE: TALKING BACK TO HERGE -- Violence and the tableau vivant effect in the clear line comics of Hergé and Gene Luen Yang / Gwen Athene Tarbox -- An unspeakable filiation: Spirou and the three Unicorns / Annick Pellegrin -- Tintin's journey in Turkey / Kenan Kocak.
|
| 520 |
|
|
|a After five decades of critical discussions on Hergé and Tintin, is there anything left to say on the most famous French-language comics creator and his acclaimed body of work? The Comics of Hergé answers the challenge of venturing new interpretations of a classic yet endlessly inspiring corpus. Drawing from multiple fields of enquiry - philosophy, aesthetics, psychology, narratology, history, poetics, musicology, sociology, film studies, art history, myth analysis, politics, and comics theory - the contributions included in Sanders's collection re-examine the visual, ideological, and storytelling devices at play in one of the most 'iconic' creations in comics history and their influence on post-Hergéan ligne claire experimentations. The chapters with a thematic approach (appraising the recurrence of motifs ranging from the nothingness prevalent in Tintin in Tibet to the mechanical modernity and narrative acceleration of Hergé's airplanes) complement those that offer new considerations on Hergé's aesthetics (his stylistic evolution, his narrative patterns, his representation of violence, his late predilection for simulacra and reflexivity), as well as those that explore the posterity of Hergéan tropes and iconography. As a whole, this collection sheds new light on an author whose work emerges here once again not as a critical terminus, but as a source of enduring fascination.
|
| 600 |
0 |
0 |
|a Hergé,
|d 1907-1983
|x Criticism and interpretation.
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 690 |
|
|
|a The Dr. Mark D. Nevins '86 Collection for the Study of Comics and Graphic Novels
|
| 700 |
1 |
|
|a Sanders, Joe Sutliff,
|e editor.
|
| 830 |
|
0 |
|a Critical approaches to comics artists.
|
| 907 |
|
|
|a .b31206177
|b 05-11-20
|c 10-24-19
|
| 998 |
|
|
|a hd
|a hz
|b 02-06-20
|c m
|d a
|e -
|f eng
|g msu
|h 4
|i 0
|
| 994 |
|
|
|a C0
|b HCD
|
| 945 |
|
|
|a NEVINS PN6790.B43
|b H468 2016
|f - -
|g 1
|h 0
|i 38400004182927
|j - -
|k - -
|l hdnev
|o -
|p $0.00
|q -
|r -
|s -
|t 0
|u 0
|v 0
|w 0
|x 0
|y .i20863378
|z 02-06-20
|
| 999 |
f |
f |
|i 5fa170bc-83e9-5d18-b018-eec2885cc896
|s 9fe5befe-b823-5053-a011-8983c7ec379d
|t 0
|
| 952 |
f |
f |
|p Short Term Loan
|a College of the Holy Cross
|b Main Campus
|c Dinand
|d Dinand Library - Nevins Collection
|t 0
|e NEVINS PN6790.B43 H468 2016
|h Other scheme
|i Book
|m 38400004182927
|