Contemporary Latin American Cinema Resisting Neoliberalism? / edited by Claudia Sandberg, Carolina Rocha.

Contemporary Latin American Cinema investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives. The collection examines the relationship between economic policies a...

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Bibliographic Details
Corporate Author: SpringerLink (Online service)
Other Authors: Sandberg, Claudia (Editor), Rocha, Carolina (Editor)
Format: eBook
Language:English
Published: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Edition:1st ed. 2018.
Series:Springer eBook Collection.
Subjects:
Online Access:Click to view e-book
Holy Cross Note:Loaded electronically.
Electronic access restricted to members of the Holy Cross Community.
Table of Contents:
  • 1. Contemporary Latin American Cinema and Resistance to Neoliberalism: Mapping the Field (Claudia Sandberg)
  • 2. Southern Hegemonies and Metaphors of the Global South in También la Lluvia (Alfredo Martínez-Expósito)
  • 3. Neoliberal Masculinities in Contemporary Peruvian Cinema: Octubre and El limpiador (Rosana Díaz-Zambrana)
  • 4. New Geographies of Class in Mexican and Brazilian Cinemas: Post Tenebras Lux and Que horas ela volta? (María Mercedes Vázquez Vázquez)
  • 5. Paraíso ¿Cuánto pesa el amor?: Challenging the Neoliberal in Mexican Cinema (Niamh Thornton)
  • 6. Güeros: Social Fragmentation, Political Agency, and the Mexican Film Industry under Neoliberalism (Jacobo Asse Dayán)
  • 7. Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru (Sarah Barrow)
  • 8. Larraín’s No: A Tale of Neoliberalism (María Paz Peirano)
  • 9. Crowdfunding Images of Colombia and Ecuador: International Collaborations and Transnational Circulation in a Neoliberal Context (Carolina Rocha)
  • 10. Argentine Cinema in the Age of Digitization: Between Foreign Dominance and Discussion of Benefits (Andrea Morán and Miguel Fernández Labayen)
  • 11. Social Cinema in Neoliberal Times: The Macabre Baroque in the Films of Pablo Larraín (Walescka Pino-Ojeda)
  • 12. Between Armed Conflict, Social Awareness, and the Neoliberal Market: The Case of Alias María (Carlos de Oro)
  • 13. Maximiliano Schonfeld’s Films of the Volga Germans in Entre Ríos: About the Neoliberal Devil in Argentine Cinema (Claudia Sandberg)
  • 14. Community Film in Southern Greater Buenos Aires: Emerging Voices and the Economy of Film as Resistance to Neoliberalism (Andrea Molfetta).