The science and art of Renaissance music / James Haar ; edited by Paul Corneilson.

"As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years...

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Bibliographic Details
Main Authors: Haar, James (Author), Corneilson, Paul E. (Author)
Format: Book
Published: Princeton, N.J. : Princeton University Press, [1998]
Table of Contents:
  • MUSIC IN THE SIXTEENTH-CENTURY: A Sixteenth-century attempt at music criticism
  • The courtier as musician: Castiglione's view of the science and art of music
  • Cosimo Bartoli on music
  • ASPECTS OF RENAISSANCE MUSIC THEORY: The frontispiece of Gafori's Practica Musicae (1496)
  • False relations and chromaticism in Sixteenth-Century music
  • Zarlino's definition of fugue and imitation
  • Lessons in theory from a Sixteenth-Century composer
  • Josquin as interpreted by a Mid-Sixteenth-Century German musician
  • ON THE ITALIAN MADRIGAL: The Note Nere Madrigal
  • The "Madrigale Arioso": a mid-century development in the Cinquecento Madrigal
  • Giovanthomaso Cimello as madrigalist
  • ANTONFRANCESCO DONI: WRITER, ACADEMICIAN, AND MUSICIAN: Notes on the Dialogo della Musica of Antonfrancesco Doni
  • A gift of madrigals to Cosini I: The Ms. Florence, Bibl. Naz. Centrale, Magl. XIX, 130
  • The Libraria of Antonfrancesco Doni
  • Music of the Renaissance as viewed by the Romantics.