The science and art of Renaissance music / James Haar ; edited by Paul Corneilson.

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Bibliographic Details
Main Authors:	Haar, James (Author), Corneilson, Paul E. (Paul Edward) (Author)
Format:	Book
Language:	English
Published:	Princeton, N.J. : Princeton University Press, [1998]
Subjects:	Music > 16th century > History and criticism. Music theory > History > 16th century. Music theory > 16th century.

Table of Contents:

MUSIC IN THE SIXTEENTH-CENTURY: A Sixteenth-century attempt at music criticism
The courtier as musician: Castiglione's view of the science and art of music
Cosimo Bartoli on music
ASPECTS OF RENAISSANCE MUSIC THEORY: The frontispiece of Gafori's Practica Musicae (1496)
False relations and chromaticism in Sixteenth-Century music
Zarlino's definition of fugue and imitation
Lessons in theory from a Sixteenth-Century composer
Josquin as interpreted by a Mid-Sixteenth-Century German musician
ON THE ITALIAN MADRIGAL: The Note Nere Madrigal
The "Madrigale Arioso": a mid-century development in the Cinquecento Madrigal
Giovanthomaso Cimello as madrigalist
ANTONFRANCESCO DONI: WRITER, ACADEMICIAN, AND MUSICIAN: Notes on the Dialogo della Musica of Antonfrancesco Doni
A gift of madrigals to Cosini I: The Ms. Florence, Bibl. Naz. Centrale, Magl. XIX, 130
The Libraria of Antonfrancesco Doni
RENAISSANCE MUSIC IN NINETEENTH-CENTURY EYES: Berlioz and the "First Opera"
Music of the Renaissance as viewed by the Romantics.

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