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OCoLC |
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20240808213014.0 |
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m o d |
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000807s1998 caua ob 001 0 eng d |
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|a 326261952
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1 |
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|a Turim, Maureen Cheryn,
|d 1951-
|1 https://id.oclc.org/worldcat/entity/E39PCjqv9DJDVp6QQrD8kVkTDy
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| 245 |
1 |
4 |
|a The films of Oshima Nagisa :
|b images of a Japanese iconoclast /
|c Maureen Turim.
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| 260 |
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|a Berkeley :
|b University of California Press,
|c ©1998.
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| 300 |
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|a 1 online resource (x, 314 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 291-297) and index.
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| 505 |
0 |
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|g 1.
|t Cultural Iconoclasm and Contexts of Innovation --
|g 2.
|t Cruel Stories of Youth and Politics --
|g 3.
|t Rituals, Desire, Death: Leaving One's Will on Film --
|g 4.
|t Signs of Sexuality on Oshima's Tales of Passion --
|g 5.
|t Warring Subjects --
|g 6.
|t Popular Song, Fantasies, and Comedies of Iconoclasm --
|g 7.
|t Documents of Guilt and Empire --
|g 8.
|t Feminist Troubles on a Map of Split Subjectivities --
|t Conclusion: Whither Oshima?
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| 520 |
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|a This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and political tensions of postwar Japan. Best known today for his controversial films In the Realm of the Senses and The Empire of Passion, Oshima engages issues of sexuality and power, domination and identity, which Maureen Turim explores in relation to psychoanalytic and postmodern theory. The films' complex representation of women in Japanese society receives detailed and careful scrutiny, as does their political engagement with the Japanese student movement, postwar anti-American sentiments, and critiques of Stalinist tendencies of the Left. Turim also considers Oshima's surprising comedies, his experimentation with Brechtian and avant-garde theatricality as well as reflexive textuality, and his essayist documentaries in this look at an artist's gifted and vital attempt to put his will on film. -- Provided by publisher.
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|a Print version record.
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| 600 |
1 |
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|a Ōshima, Nagisa,
|d 1932-2013
|x Criticism and interpretation.
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| 600 |
1 |
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|a Ōshima, Nagisa,
|d 1932-2013
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJycGYvTDWJtxDYyHQVwG3
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| 650 |
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7 |
|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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| 650 |
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|a PERFORMING ARTS / Film / General
|2 bisacsh
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
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| 758 |
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|i has work:
|a The films of Oshima Nagisa (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG9TKK7XW8FxffY97FH4hd
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Turim, Maureen Cheryn, 1951-
|t Films of Oshima Nagisa.
|d Berkeley : University of California Press, ©1998
|z 0520206657
|w (DLC) 96039466
|w (OCoLC)35848968
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| 856 |
4 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://hdl.handle.net/2027/heb08178.0001.001
|y Click for online access
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|a HEB
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| 994 |
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|a 92
|b HCD
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