| Резюме: | This collection focuses on Moliere's theatre as works to be performed as well as read. The essays deal in their various ways with limits which are imposed and respected or violated and broken. The question of transgression both as a subject within Moliere's plays and as a dilemma confronting Moliere's critics and interpreters is addressed. The book aims to enlarge the scope of academic scholarship and include the thinking and insights of actors.
|
|---|