Rethinking Third Cinema / edited by Anthony Guneratne and Wimal Dissanayake.

This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issue...

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Bibliographic Details
Other Authors: Guneratne, Anthony R., Dissanayake, Wimal
Format: eBook
Language:English
Published: New York ; London : Routledge, 2003.
Subjects:
Online Access:Click for online access

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245 0 0 |a Rethinking Third Cinema /  |c edited by Anthony Guneratne and Wimal Dissanayake. 
260 |a New York ;  |a London :  |b Routledge,  |c 2003. 
300 |a 1 online resource (xii, 240 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Rethinking third cinema / Anthony R. Guneratne -- Beyond third cinema: the aesthetics of hybridity / Robert Stam -- Post-third-worldist culture: gender, nation, and the cinema / Ella Shohat -- The erotics of history: gender and transgression in the new Asian cinemas / Sumita S. Chakravarty -- Authorship, globalization, and the new identity of Latin American cinema: from the Mexican "ranchera" to Argentinian "exile" / Marvin D'Lugo -- Video booms and the manifestations of "first" cinema in anglophone Africa / N. Frank Ukadike -- What's "oppositional" in Indonesian cinema? / Krisna Sen -- The seductions of homecoming: place, authenticity, and Chen Kaige's Temptress moon / Rey Chow -- Theorizing "third world" film spectatorship: the case of Iran and Iranian cinema / Hamid Naficy -- Rethinking Indian popular cinema: towards newer frames of understanding / Wimal Dissanayake. 
588 0 |a Print version record. 
520 |a This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However. 
650 0 |a Motion pictures  |z Developing countries. 
650 0 |a Intercultural communication in motion pictures. 
650 7 |a Intercultural communication in motion pictures  |2 fast 
650 7 |a Motion pictures  |2 fast 
651 7 |a Developing countries  |2 fast 
650 1 7 |a Filmkunst.  |2 gtt 
650 1 7 |a Films.  |2 gtt 
650 1 7 |a Ontwikkelingslanden.  |2 gtt 
700 1 |a Guneratne, Anthony R. 
700 1 |a Dissanayake, Wimal. 
776 0 8 |i Print version:  |t Rethinking Third Cinema.  |d New York ; London : Routledge, 2003  |z 9780415213547  |w (OCoLC)61423748 
856 4 0 |u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=182182  |y Click for online access 
903 |a EBC-AC 
994 |a 92  |b HCD