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|a PR658.W6
|b R43 1998eb
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|a PR658.W6
|b R43 1998eb
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|a HCDD
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|a Readings in renaissance women's drama :
|b criticism, history, and performance, 1594-1998 /
|c edited by S.P. Cerasano and Marion Wynne-Davies.
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|a London ;
|a New York :
|b Routledge,
|c 1998.
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| 300 |
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|a 1 online resource (xiv, 322 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a Includes bibliographical references (pages 310-314) and index.
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|a pt. 1. Early commentaries. Mary Sidney is praised to Elizabeth I (1594). ; Samuel Daniel to Mary Sidney (1594). ; John Davies of Hereford commends Mary Sidney and Elizabeth Cary (1612). ; William Sheares to Elizabeth Cary (1633). ; Jonson and Wroth (1640). ; Elizabeth Cary's Biography (1643-9). ; Celebrating several ladies (1752). ; The Cavalier's Lady and her plays (1872). ; The first scholarly edition of Mary Sidney's Antonie (1897). ; Lumley's play first published (1909). ; The first modern edition of Mariam (1914). ; Early critical recognition of Elizabeth Cary and Margaret Cavendish (1920). ; Woolf on Margaret Cavendish (1925). ; T.S. Eliot on Senecan Drama (1927). ; Virginia Woolf on 'Judith Shakespeare' (1929). ; The first edition of The Concealed Fancies (1931). ; Cary and 'A Woman's Duty' (1940). ; Mary Sidney: Philip's Sister (1957). -- pt. II. Contexts and issues. Women playwrights in England: Renaissance noblewomen / Nancy Cotton. ; The Arts at the English Court of Anna of Denmark / Leeds Barroll. ; 'My seeled chamber and dark parlour room': the English country house and Renaissance women dramatists / Marion Wynne-Davies. ; Women as patrons of English Renaissance drama / David M. Bergeron. ; Women as spectators, spectacles, and paying customers / Jean E. Howard. ; Women as theatrical investors: three shareholders and the second Fortune Playhouse / S.P. Gerasano. ; 'Why may not a lady write a good play?': plays by Early Modern women reassessed as performance texts / Gweno Williams. -- pt. III. Early Modern women dramatists. 'We princes, I tell you, are set on stages': Elizabeth I and dramatic self-representation / Carole Levin. ; Joanna Lumley (1537?-1576/77) / Elaine V. Beilin. ; Jane Lumley's Iphigenia at Aulis: multum in parvo, or, less is more / Stephanie Hodgson-Wright. ; 'Patronesse of the Muses' / Margaret P. Hannay. ; Mary Herbert: Englishing a purified Cleopatra / Tina Krontiris. ; Elizabeth Cary (1585-1639) / Elaine V. Beilin. ; The spectre of resistance: The Tragedy of Mariam (1613) / Margaret W. Ferguson. ; Resisting tyrants: Elizabeth Cary's tragedy / Barbara Kiefer Lewalski. ; An unknown continent: Lady Mary Wroth's forgotten pastoral drama, 'Loves Victorie' / Margaret Anne McLaren. ; 'Like one in a gay masque': the Sidney cousins in the theaters of court and country / Gary Waller. ; 'To be your daughter in your pen': the social functions of literature in the writings of Lady Elizabeth Brackley and Lady Jane Cavendish / Margaret J.M. Ezell. ; 'She gave you the civility of the house': household performance in The Concealed Fancies / Alison Findlay. ; 'My brain the stage': Margaret Cavendish and the fantasy of female performance / Sophie Tomlinson. ; 'A woman write a play!': Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the duchess feel the anxiety of influence? / Julie Sanders.
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|a Print version record.
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|a Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of tod.
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| 546 |
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|a English.
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| 650 |
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|a English drama
|x Women authors
|x History and criticism.
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| 650 |
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|a English drama
|y Early modern and Elizabethan, 1500-1600
|x History and criticism.
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| 650 |
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|a Women and literature
|z England
|x History
|y 16th century.
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| 650 |
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|a Women and literature
|z England
|x History
|y 17th century.
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| 650 |
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|a English drama
|y 17th century
|x History and criticism.
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| 650 |
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|a Renaissance
|z England.
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| 650 |
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|a English drama
|2 fast
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| 650 |
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|a English drama
|x Early modern and Elizabethan
|2 fast
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| 650 |
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|a English drama
|x Women authors
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| 650 |
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|a Renaissance
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| 650 |
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|a Women and literature
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| 651 |
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|a England
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|1 https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C
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|a 1500-1699
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|a Criticism, interpretation, etc.
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|a History
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|a Cerasano, S. P.
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| 700 |
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|a Wynne-Davies, Marion.
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| 758 |
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|i has work:
|a Readings in renaissance women's drama (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGbgmdkHMWfgrc4c4y6vXm
|4 https://id.oclc.org/worldcat/ontology/hasWork
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|i Print version:
|t Readings in renaissance women's drama.
|d London ; New York : Routledge, 1998
|w (DLC) 98006670
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| 856 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=169232
|y Click for online access
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|a EBC-AC
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|a 92
|b HCD
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