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In the break :
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In the break : the aesthetics of the Black radical tradition / Fred Moten.
Saved in:
Bibliographic Details
Main Author:
Moten, Fred
(Author)
Format:
eBook
Language:
English
Published:
Minneapolis, MN :
University of Minnesota Press,
[2003]
Subjects:
African Americans
>
Intellectual life.
African Americans
>
Politics and government.
Radicalism
>
United States.
Jazz
>
Philosophy and aesthetics.
African American aesthetics.
African American arts.
African American philosophy.
Arts
>
Political aspects
>
United States.
Improvisation in art.
Sex in music.
ART
>
Reference.
ART
>
Performance.
MUSIC
>
History & Criticism.
Sex in music
Jazz
>
Philosophy and aesthetics
Improvisation in art
African American philosophy
African American aesthetics
African American arts
African Americans
>
Intellectual life
African Americans
>
Politics and government
Arts
>
Political aspects
Radicalism
Literatur
Musik
Politisches Denken
Schwarze
Radicalisme.
Esthetica.
Geschichte 1950-1969.
United States
USA
Schwärze
Online Access:
Click for online access
Holdings
Description
Table of Contents
Similar Items
Staff View
Table of Contents:
Resistance of the object: Aunt Hester's scream
1. The sentimental avant-garde. Duke Ellington's sound of love ; Voices/forces ; Sound in florescence (Cecil Taylor Floating Garden) ; Praying with Eric
2. In the break. Tragedy, elegy ; The dark lady and the sexual cut ; German inversion ; 'Round the five spot
3. Visible music. Baldwin's Baraka, his mirror stage, the sound of his gaze ; Black mo'nin' in the sound of the photograph ; Tonality of totality
Resistance of the object : Adrian Piper's theatricality.
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