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00000cam a2200000 a 4500 |
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ocn236100665 |
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OCoLC |
| 005 |
20240504213016.0 |
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m o d |
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cr cnu---unuuu |
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080725s2008 mnua ob s001 0 eng d |
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|a N$T
|b eng
|e pn
|c N$T
|d GPM
|d OCLCQ
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|d OCLCQ
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|d JSTOR
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|a 261341902
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|a 9780816656530
|q (electronic bk.)
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|a 0816656533
|q (electronic bk.)
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|z 9780816648467
|q (hc ;
|q alk. paper)
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|z 0816648468
|q (hc ;
|q alk. paper)
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|z 9780816648474
|q (pb ;
|q alk. paper)
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|z 0816648476
|q (pb ;
|q alk. paper)
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| 035 |
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|a (OCoLC)236100665
|z (OCoLC)261341902
|z (OCoLC)437213717
|z (OCoLC)463188772
|z (OCoLC)560668050
|z (OCoLC)646752899
|z (OCoLC)722673664
|z (OCoLC)728036987
|z (OCoLC)961591454
|z (OCoLC)962563712
|z (OCoLC)991912847
|z (OCoLC)1055373692
|z (OCoLC)1064990230
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|a 22573/cttbmn1h
|b JSTOR
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|a e------
|a n------
|a s------
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| 050 |
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|a N8217.I5
|b G38 2008eb
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| 072 |
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|a ART
|x 050040
|2 bisacsh
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|a ART
|x 050010
|2 bisacsh
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|a ART015000
|2 bisacsh
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Gaudio, Michael.
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|a Engraving the savage :
|b the New World and techniques of civilization /
|c Michael Gaudio.
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| 260 |
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|a Minneapolis :
|b University of Minnesota Press,
|c ©2008.
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|a 1 online resource (xxv, 207 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a Includes bibliographical references (pages 167-199) and index.
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|t Introduction: White pebbles in the dark forest --
|t Savage marks: the scriptive techniques of early modern ethnography --
|t Making sense of smoke: engraving and ornament in de Bry's America --
|t Flatness and protuberance: reforming the image in Protestant print culture --
|t The art of scratch: wood engraving and picture-writing in the 1880s.
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|a Print version record.
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|a In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples.
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| 650 |
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|a Indians in art.
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|a America
|x Discovery and exploration
|x Historiography.
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|a Difference (Philosophy) in art.
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| 650 |
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|a Art
|x Reproduction.
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| 650 |
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|a Prints
|x Technique.
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| 650 |
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7 |
|a copies (derivative objects)
|2 aat
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| 650 |
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|a printmaking.
|2 aat
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| 650 |
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|a ART
|x Subjects & Themes
|x Portraits.
|2 bisacsh
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| 650 |
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|a ART
|x Subjects & Themes
|x Human Figure.
|2 bisacsh
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| 650 |
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|a ART
|x History
|x General.
|2 bisacsh
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| 650 |
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|a Art
|x Reproduction
|2 fast
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| 650 |
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7 |
|a Difference (Philosophy) in art
|2 fast
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| 650 |
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|a Indians in art
|2 fast
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| 650 |
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7 |
|a Prints
|x Technique
|2 fast
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| 651 |
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|a America
|2 fast
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| 758 |
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|i has work:
|a Engraving the savage (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFxWPJbW3wkRGrxwmCd38K
|4 https://id.oclc.org/worldcat/ontology/hasWork
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| 776 |
0 |
8 |
|i Print version:
|a Gaudio, Michael.
|t Engraving the savage.
|d Minneapolis : University of Minnesota Press, ©2008
|z 9780816648467
|w (DLC) 2007031468
|w (OCoLC)164570487
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| 856 |
4 |
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=349970
|y Click for online access
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
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