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|a HCDD
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|a Fulton, Gordon D.
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|a Styles of meaning and meanings of style in Richardson's Clarissa /
|c Gordon D. Fulton.
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|a Montreal [Que.] :
|b McGill-Queen's University Press,
|c ©1999.
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|a 1 online resource (xiv, 250 pages)
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|a text
|b txt
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|b c
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|a online resource
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|a data file
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Contents -- Acknowledgments -- A Note on the Text -- 1 Introduction: A Stylistic Approach to Clarissa -- PART ONE: STYLES OF MEANING -- 2 Proverbs and the Language of Control -- 3 The Moral Sentiment as a Dialogic Style of Meaning -- PART TWO: MEANINGS OF STYLE -- 4 Surprised by Style: Lovelace, Clarissa, and Language for Love -- 5 Why Look at Clarissa? Physical Description and Richardson's Revision of Libertine Style -- 6 Sentimental Libertinism: Richardson's Reform of Libertine Desire -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F
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|a Gh -- i -- j -- k -- l -- m -- n -- o -- p -- r -- s -- t -- u -- v -- w -- y
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|a Using socially and culturally engaged discourse stylistics, Fulton explores ideologies of social formation, gender, and sexuality in the novel. The first part of the study, "Styles of Meaning," discusses Richardson's use of the genres of sententiousness (moral sentiments and proverbs) to engage questions of ideology. Fulton shows how Richardson draws on the socially significant difference between proverbs and maxims to develop contrasting styles in which his characters establish and defend personal identities in relation to family and friends. The second part, "Meanings of Style," explores ways in which meanings created through linguistic choices in the critical domains of gender and sexuality both sustain and sometimes betray characters struggling either to control or to resist being controlled by others. A contribution to both critical discussion of eighteenth-century fiction and to discourse stylistics committed to relating literary texts to their social and cultural contexts, this study introduces a mode of literary stylistic analysis with exciting possibilities for cultural studies.
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|a English.
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|a Richardson, Samuel,
|d 1689-1761.
|t Clarissa.
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1 |
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|a Richardson, Samuel,
|d 1689-1761
|x Literary style.
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|a Richardson, Samuel,
|d 1689-1761
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJyMjgkGJbmWykhxqFBF8C
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|a Clarissa (Richardson, Samuel)
|2 fast
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| 600 |
1 |
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|a Richardson, Samuel
|x Clarissa.
|2 idsbb
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| 600 |
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|a Richardson, Samuel.
|2 swd
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|a Clarissa.
|2 swd
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| 650 |
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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| 650 |
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|a Literary style
|2 fast
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| 650 |
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|a Literarischer Stil
|2 gnd
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| 758 |
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|i has work:
|a Styles of meaning and meanings of style in Richardson's Clarissa (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCG4t7VcDw4bdqyTbVfXkwC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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0 |
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|i Print version:
|a Fulton, Gordon D.
|t Styles of meaning and meanings of style in Richardson's Clarissa.
|d Montreal ; Ithaca : McGill-Queen's University Press, 1999
|w (DLC) 99900467
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|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=3331503
|y Click for online access
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|a EBC-AC
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|a 92
|b HCD
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