Three modes of perception in Mozart : the philosophical, pastoral, and comic in Così fan tutte / Edmund J. Goehring.
This is the first full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgment that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how C...
Full description
Saved in: