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|a 9781847143259
|b codeMantra
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|a dlr
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|b L36 2004eb
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| 049 |
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|a HCDD
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| 100 |
1 |
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|a Lambert, Gregg,
|d 1961-
|1 https://id.oclc.org/worldcat/entity/E39PBJxcTJxpHfHMBRXtcqCPcP
|
| 245 |
1 |
4 |
|a The return of the Baroque in modern culture /
|c Gregg Lambert.
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| 260 |
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|a London :
|b New York :
|b Continuum,
|c ©2004.
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| 300 |
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|a 1 online resource (168 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (pages 150-161) and index.
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| 505 |
0 |
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|a Acknowledgements; Introduction: Why the baroque?; Part One: Renovations of the Seventeenth-Century Baroque; Part Two: Baroque and Modern; Part Three: Baroque and Postmodern; Part Four: Baroque and Postcolonial; Conclusion: One or many baroques?; Notes; Bibliography; Index.
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|a The Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the "return of the Baroque" expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and
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| 588 |
0 |
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|a Print version record.
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| 506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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| 533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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| 538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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| 583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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| 546 |
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|a English.
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| 532 |
1 |
# |
|a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
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| 650 |
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0 |
|a Modernism (Literature)
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| 650 |
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0 |
|a Modernism (Aesthetics)
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| 650 |
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0 |
|a Postmodernism.
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| 650 |
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0 |
|a Baroque literature
|x History and criticism.
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| 650 |
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0 |
|a Literature, Modern
|y 20th century
|x History and criticism.
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| 650 |
|
7 |
|a TRAVEL
|x Special Interest
|x Literary.
|2 bisacsh
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| 650 |
|
7 |
|a LITERARY CRITICISM
|x General.
|2 bisacsh
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| 650 |
|
7 |
|a Baroque literature
|2 fast
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| 650 |
|
7 |
|a Literature, Modern
|2 fast
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| 650 |
|
7 |
|a Modernism (Aesthetics)
|2 fast
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| 650 |
|
7 |
|a Modernism (Literature)
|2 fast
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| 650 |
|
7 |
|a Postmodernism
|2 fast
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| 650 |
|
7 |
|a Rezeption
|2 gnd
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| 650 |
|
7 |
|a Ästhetik
|2 gnd
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| 650 |
|
7 |
|a Barock
|2 gnd
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| 650 |
|
7 |
|a Kunst
|2 gnd
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| 650 |
|
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|a Künste
|2 gnd
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| 648 |
|
7 |
|a 1900-1999
|2 fast
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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| 776 |
0 |
8 |
|i Print version:
|a Lambert, Gregg, 1961-
|t Return of the Baroque in modern culture.
|d London : New York : Continuum, ©2004
|w (DLC) 2004052666
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=436657
|y Click for online access
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| 903 |
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|a EBC-AC
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| 994 |
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|a 92
|b HCD
|