Literary imitation in the Italian Renaissance : the theory and practice of literary imitation in Italy from Dante to Bembo / Martin L. McLaughlin.

The concept of imitatio - the imitation of classical and vernacular texts - was a dominant critical and creative principle in Italian Renaissance literature. This study charts the development of imitatio from the 14th to the early 16th centuries, offering insights into the works of Italian writers.

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Bibliographic Details
Main Author: McLaughlin, M. L. (Martin L.)
Format: eBook
Language:English
Published: Oxford : Oxford ; New York : Clarendon Press ; Oxford University Press, 1995.
Series:Oxford modern languages and literature monographs.
Subjects:
Online Access:Click for online access

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100 1 |a McLaughlin, M. L.  |q (Martin L.)  |1 https://id.oclc.org/worldcat/entity/E39PCjKbHJfdvmXx7JwMvddwBX 
245 1 0 |a Literary imitation in the Italian Renaissance :  |b the theory and practice of literary imitation in Italy from Dante to Bembo /  |c Martin L. McLaughlin. 
260 |a Oxford :  |b Clarendon Press ;  |a Oxford ;  |a New York :  |b Oxford University Press,  |c 1995. 
300 |a 1 online resource (viii, 314 pages) 
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490 1 |a Oxford modern languages and literature monographs 
504 |a Includes bibliographical references (pages 279-295) and index. 
588 0 |a Print version record. 
520 8 |a The concept of imitatio - the imitation of classical and vernacular texts - was a dominant critical and creative principle in Italian Renaissance literature. This study charts the development of imitatio from the 14th to the early 16th centuries, offering insights into the works of Italian writers. 
505 0 |a pt. 1. The Trecento. 1. Dante. 2. Petrarch. 3. Boccaccio. 4. Coluccio Salutati -- pt. 2. The Early Quattrocento. 5. Leonardo Bruni. 6. Humanist Educators. 7. The Dispute between Poggio and Valla -- pt. 3. Vernacular Humanism. 8. Leon Battista Alberti. 9. Cristoforo Landino -- pt. 4. The Major Disputes Around 1500. 10. The Dispute between Poliziano and Cortesi. 11. The Dispute between The Elder Pico and Barbaro. 12. The Dispute between Giovan Francesco Pico and Bembo. 
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533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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583 1 |a digitized  |c 2010  |h HathiTrust Digital Library  |l committed to preserve  |2 pda  |5 MiAaHDL 
650 0 |a Italian literature  |y To 1400  |x History and criticism. 
650 0 |a Italian literature  |y 15th century  |x History and criticism. 
650 0 |a Italian literature  |x Classical influences. 
650 0 |a Imitation in literature. 
650 7 |a Imitation in literature  |2 fast 
650 7 |a Italian literature  |2 fast 
650 7 |a Italian literature  |x Classical influences  |2 fast 
650 1 7 |a Letterkunde.  |2 gtt 
650 1 7 |a Neolatijn.  |2 gtt 
650 1 7 |a Italiaans.  |2 gtt 
650 1 7 |a Imitatie.  |2 gtt 
650 7 |a Italian literature  |y 15th century  |x History and criticism.  |2 nli 
650 7 |a Italian literature  |x Classical influences.  |2 nli 
650 7 |a Imitation in literature.  |2 nli 
648 7 |a To 1499  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a McLaughlin, M.L. (Martin L.).  |t Literary imitation in the Italian Renaissance.  |d Oxford : Clarendon Press ; Oxford ; New York : Oxford University Press, 1995  |z 0198158998  |z 9780198158998  |w (DLC) 95008869  |w (OCoLC)32396512 
830 0 |a Oxford modern languages and literature monographs. 
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