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ocn297318101 |
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OCoLC |
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20250119213021.0 |
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m o d |
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cr unu---uuaua |
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090107s1995 enk ob 001 0 eng d |
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCE
|d OCLCQ
|d OTZ
|d OCLCF
|d OCLCO
|d YDXCP
|d OCLCQ
|d STBDS
|d OCLCA
|d U3W
|d YOU
|d OCLCQ
|d SXB
|d OCLCQ
|d OCLCO
|d K6U
|d SFB
|d OCLCO
|d OCLCQ
|d OCLCO
|d INARC
|d OCLCL
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|a 604570093
|a 1420685113
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|a 9780191673443
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|a 0191673447
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|z 0198158998
|q (acid-free paper)
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|z 9780198158998
|q (acid-free paper)
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|a (OCoLC)297318101
|z (OCoLC)604570093
|z (OCoLC)1420685113
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|a dlr
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|a e-it---
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|a PQ4075
|b .M45 1995
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|a HCDD
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|a McLaughlin, M. L.
|q (Martin L.)
|1 https://id.oclc.org/worldcat/entity/E39PCjKbHJfdvmXx7JwMvddwBX
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|a Literary imitation in the Italian Renaissance :
|b the theory and practice of literary imitation in Italy from Dante to Bembo /
|c Martin L. McLaughlin.
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|a Oxford :
|b Clarendon Press ;
|a Oxford ;
|a New York :
|b Oxford University Press,
|c 1995.
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|a 1 online resource (viii, 314 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Oxford modern languages and literature monographs
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|a Includes bibliographical references (pages 279-295) and index.
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|a Print version record.
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|a The concept of imitatio - the imitation of classical and vernacular texts - was a dominant critical and creative principle in Italian Renaissance literature. This study charts the development of imitatio from the 14th to the early 16th centuries, offering insights into the works of Italian writers.
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|a pt. 1. The Trecento. 1. Dante. 2. Petrarch. 3. Boccaccio. 4. Coluccio Salutati -- pt. 2. The Early Quattrocento. 5. Leonardo Bruni. 6. Humanist Educators. 7. The Dispute between Poggio and Valla -- pt. 3. Vernacular Humanism. 8. Leon Battista Alberti. 9. Cristoforo Landino -- pt. 4. The Major Disputes Around 1500. 10. The Dispute between Poliziano and Cortesi. 11. The Dispute between The Elder Pico and Barbaro. 12. The Dispute between Giovan Francesco Pico and Bembo.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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650 |
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|a Italian literature
|y To 1400
|x History and criticism.
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650 |
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|a Italian literature
|y 15th century
|x History and criticism.
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|a Italian literature
|x Classical influences.
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|a Imitation in literature.
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|a Imitation in literature
|2 fast
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|a Italian literature
|2 fast
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7 |
|a Italian literature
|x Classical influences
|2 fast
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1 |
7 |
|a Letterkunde.
|2 gtt
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1 |
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|a Neolatijn.
|2 gtt
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1 |
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|a Italiaans.
|2 gtt
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1 |
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|a Imitatie.
|2 gtt
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|a Italian literature
|y 15th century
|x History and criticism.
|2 nli
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650 |
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7 |
|a Italian literature
|x Classical influences.
|2 nli
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650 |
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|a Imitation in literature.
|2 nli
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648 |
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|a To 1499
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i has work:
|a Literary imitation in the Italian Renaissance (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFq8PphqCwHPQYRyMJFD7b
|4 https://id.oclc.org/worldcat/ontology/hasWork
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776 |
0 |
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|i Print version:
|a McLaughlin, M.L. (Martin L.).
|t Literary imitation in the Italian Renaissance.
|d Oxford : Clarendon Press ; Oxford ; New York : Oxford University Press, 1995
|z 0198158998
|z 9780198158998
|w (DLC) 95008869
|w (OCoLC)32396512
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830 |
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|a Oxford modern languages and literature monographs.
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856 |
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|u https://holycross.idm.oclc.org/login?auth=cas&url=https://academic.oup.com/book/27692
|y Click for online access
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|a OUP-SOEBA
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|a 92
|b HCD
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