The subject in art : portraiture and the birth of the modern / Catherine M. Soussloff.
Argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather within early-twentieth-century Viennese portraiture.
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| Main Author: | |
|---|---|
| Format: | Electronic |
| Language: | English |
| Published: |
Durham :
Duke University Press,
2006.
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| Series: | e-Duke books scholarly collection.
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| Subjects: | |
| Online Access: | Click for online access |
| LEADER | 04017cam a2200769 a 4500 | ||
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| 003 | OCoLC | ||
| 005 | 20231105213017.0 | ||
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| 037 | |a 22573/ctv1211c53 |b JSTOR | ||
| 042 | |a dlr | ||
| 043 | |a e-au--- | ||
| 050 | 4 | |a N7602 |b .S68 2006 | |
| 072 | 7 | |a ART |x 050010 |2 bisacsh | |
| 072 | 7 | |a ART |x 050040 |2 bisacsh | |
| 072 | 7 | |a ART |x 015100 |2 bisacsh | |
| 049 | |a HCDD | ||
| 100 | 1 | |a Soussloff, Catherine M. | |
| 245 | 1 | 4 | |a The subject in art : |b portraiture and the birth of the modern / |c Catherine M. Soussloff. |
| 260 | |a Durham : |b Duke University Press, |c 2006. | ||
| 300 | |a 1 online resource (xiii, 175 pages, 16 pages of plates) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 504 | |a Includes bibliographical references (pages 149-162) and index. | ||
| 505 | 0 | |a Introduction: the subject in art -- A genealogy of the subject in the portrait -- The birth of the social history of art -- The subject at risk: Jewish assimilation and Viennese portraiture -- Art photography, portraiture, and modern subjectivity -- Regarding the subject in art history: an epilogue -- Notes -- Bibliography -- Index. | |
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | |a Argues that the modern subject did not emerge from psychoanalysis or existential philosophy but rather within early-twentieth-century Viennese portraiture. | ||
| 546 | |a In English. | ||
| 650 | 0 | |a Portraits, Austrian |z Austria |z Vienna |y 20th century. | |
| 650 | 0 | |a Subjectivity in art. | |
| 650 | 0 | |a Self (Philosophy) in art. | |
| 650 | 0 | |a Art |x Historiography |y 20th century. | |
| 650 | 0 | |a Art, Austrian |y 20th century |x Influence. | |
| 650 | 7 | |a ART |x Subjects & Themes |x Human Figure. |2 bisacsh | |
| 650 | 7 | |a ART |x Subjects & Themes |x Portraits. |2 bisacsh | |
| 650 | 7 | |a Art |x Historiography |2 fast | |
| 650 | 7 | |a Portraits, Austrian |2 fast | |
| 650 | 7 | |a Self (Philosophy) in art |2 fast | |
| 650 | 7 | |a Subjectivity in art |2 fast | |
| 651 | 7 | |a Austria |z Vienna |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Soussloff, Catherine M. |t Subject in art. |d Durham : Duke University Press, 2006 |w (DLC) 2006007728 |w (OCoLC)64594331 |
| 830 | 0 | |a e-Duke books scholarly collection. | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/holycrosscollege-ebooks/detail.action?docID=1169351 |y Click for online access |
| 903 | |a EBC-AC | ||
| 994 | |a 92 |b HCD | ||