Table of Contents:
  • Mendelssohn's audience / Douglass Seaton
  • Mendelssohn and the piano / Kenneth Hamilton
  • Mendelssohn and the organ / Peter Ward Jones
  • The performance of Mendelssohn's chamber and solo music for violin / Clive Brown
  • Mendelssohn and the orchestra / David Milsom
  • Mendelssohn as composer/conductor: early performances of Paulus / Siegwart Reichwald
  • From drawing room to theater: performance traditions of Mendelssohn's stage works / Monika Hennemann
  • Mendelssohn and the performance of Handel's vocal works / Ralf Wehner
  • From notation to edition to performance: issues in interpretation / John Michael Cooper
  • Mendelssohn's tempo indications / Siegwart Reichwald
  • For you see I am the eternal objector: on performing Mendelssohn's music in translation / John Michael Cooper.